Haïti Beach: Top 10 Must-Visit Vacation Destinations

Vertières, Fort Mazi: Beyond historical truth;

If you look up the word vertière in a French dictionary, you will not find it for fear that the world does not know this place represents the Achilles heels of the most powerful European army. What’s more, this one had just successfully won the eastern campaign. French historians of the time erased this geographical location from the radar of history because they did not want to tell the story as it is in the sense of explaining the first great humiliation of the expeditionary army French by bands of slaves who were totally ignorant in the art of waging war, much less in the handling of weapons. However, these illiterate wars routed the Napoleonic army, the most powerful at that time, using the means at hand. This expeditionary army, after having brought Europe to its knees, would experience its first rout by slaves in this geographical location, located in the Northern department of Haiti. Funny story, this city is not on the list of French words even though given its historical importance, it should be at the heart of universal history, far from putting an end to the invincibility of the undefeated army army. So as not to offend the white masters, no political leader has ever asked why vertière does not appear in any French dictionary? However, they celebrate this battle with great fanfare every November 18. What historic hypocrisy among our leaders! After Vertière many other historical places are strangled by historians in order to hide the extremes of atrocities of the French colonists on the slaves. It is in this context of historical strangulation that “Fort Mazi” is not mentioned in school history textbooks. This is located in Petit-Goave, 2nd municipal section, Arnoux locality. We came across this mega fort, during a mobile clinic entirely financed by the Ernest Junior foundation, a charitable foundation which works in the social sector, particularly in the field of art and music. According to residents , the oldest in this locality, this fort was built on at least 20 squares of earth by the settlers. It was a huge military complex divided into compartments, outposts, turtle rooms, rooms for treating colonists, a large Catholic church, and a cemetery. However, we never talk about this fort so much so that it is ignored by history teachers in the town of Petit-Goave. Certainly, the desired disappearance of this fort under the radar of history buries the atrocities, the barbarities, the most inhumane punishments of the colonists on the slaves. Looking closely at reality, everything seems true that it is the largest fort ever built during the period of colonization. Moreover, it probably seems the most fortified in relation to its importance. Remember that Vertière only exists in Haitian school history textbooks while Fort Mazi does not appear, much less in French dictionaries or history books. This explains why this fort was a secret place in which the settlers practiced crimes and atrocities that went beyond human understanding. Is it not a clear desire of historians to hide what this immense fort built on at least 20 tiles of earth really was? Discover the history of Haiti: A fascinating story to explore! : https://haitiwonderland.com/haiti/histoire/decouvrez-l-histoire-d-haiti--un-recit-fascinant-a-explorer/81

Haitian Athletes at the 2024 Olympic Games

The Paris 2024 Olympic Games mark a time of pride and hope for Haiti, a nation rich in culture and resilience. This year, Haïti is represented by an exceptional team of athletes, each bringing their talent, determination, and dreams of victory on the world stage. Here’s a look at the stars lighting up our Olympic horizon.

Haiti: Carnival and Rara: Crossed Perspectives on Culture and Haitian Identity

In our tradition, carnival represents an essential cultural activity. Indeed, for the holding of it this year, the State had drawn from the public treasury not only a huge sum but also a strong concentration of law enforcement to ensure the protection and security of carnival-goers in the area. metropolitan. Despite numerous criticisms and concerns expressed by certain media on the one hand, then on the other hand by the democratic opposition. While it is true that in Port au Prince these concerns had had a no less valuable consequence on the progress of this festivity. It is no less true that this was the case in other provincial towns, as proof in the southeast department the authorities did not record anything as an element of accident or incident during the progress of the carnival unlike Port au Prince. Certainly, socio/economic problems are increasingly worrying, nevertheless what makes us what we are today, a free and independent people is none other than our exceptionality. This deeply expresses our intrinsic characteristic in relation to people. In fact, historically we are a people who laugh and cry, smile and irritate, dance and hit the system, sing and fight so well that "grenadya alaso sa ki mouri zafè ya yo" is the most emblematic song of the slaves for the conquest of our freedom. We do not intend to claim that those who expressed their disagreement with the carnival are showing a historical deficit. However, we leave in the shadows a fundamental question: why is carnival taken care of by the State while the rara is like an abandoned child? The rara is not only a simple cultural tradition but, above all, it is the heritage of our valiant warriors who bravely fought the French expeditionary army, the most powerful of the time. While, this mass cultural, she is still marginalized by state authorities. It is emphasized that social cohesion is the dead point of carnival. On the other hand, this is the strong point of rara. As proof, the Thursday of the Dead in our Voudouesque tradition which represents the opening ceremony for the rara bands is the blatant testimony of this social cohesion. And, in fact, there were circles of people who took divergent directions to attend the opening ceremony of their rara bands. For this opening ceremony the atmosphere was a taste of carnival in terms of color. On the side of Croix Hilaire, for the title champion Ratyèfè full force band, the color of his club was very diverse, a long dress of apricot yellow, mauve white, then white scarf. In terms of performance, this band had completely proven its champion skills thanks to its arsenal of musicians who were not in their testing phase. To tell the truth, they performed their note with surgical precision as a doctor-surgeon in his surgical procedure. The synchronization between the musicians, the instruments and then the fans form a whole and harmonize perfectly well. This band not only has the magic of words and verbs, it seems that they also have the magic to thrill even the most reluctant fans. Moreover, his performance for this dead Thursday was a challenge for his rivals this weekend to the extent that their performances were less good. On the symbol side of light, Grap Kenèp was the wonder of the Thursday evening of the dead. His club dressed in the appropriate color for this evening, purple scarf, purple jersey, then white “kolan”. In a symbolic way, this marriage of color represents Baron in Haitian Vodou. Without a doubt, it was the most beautiful symbolic representation of the evening. In terms of performance, returning from the cemetery we felt a very strong warmth of jubilation, elation, and playfulness for a completely balanced performance. As far as Chenn Tamarin is concerned, it was already 2 a.m. when our team met him, it was a less good performance than what we were accustomed to. On the symbolic side it leaves something to be desired. His news was that he had his own media. Petit-Goave/Culture and Society

Haïti : the pearl of the Antilles

Haiti, the pearl of the Antilles, is a fascinating destination that combines spectacular natural beauty with a rich and complex history. Nestled in the Caribbean Sea, this island nation is a well-kept treasure, offering visitors a unique blend of magnificent landscapes, vibrant culture and historical heritage.

Haitian Creole is our identity, it deserves to be valued: History, Origin and Evolution

The Haitian Creole, born in the 17th century during the French colonization on the island of Hispaniola, is not only a communication tool; it is an essential part of the Haitian identity. Despite being recognized as an official language in 1987, French is still considered an elite language, creating a social divide. In the educational system, where French is the language of instruction, Creole is often neglected, which affects the ability of students to understand what they are learning, especially for children from rural areas. It has a unique grammatical structure that facilitates learning, and serves as a means of cultural expression in literature, music, and other arts. The advancement of technology will allow Creole to gain more visibility in social media, but the stigmatization of the language still exists. Therefore, it is important for Creole to be valued in education and other sectors, to allow the new generation to grow up with pride for their heritage. The Haitian Creole language, which is the first language for the majority of people in Haiti, is not only a means of communication, but it is also a reflection of the cultural wealth and history of the people. In a country full of diversity, Creole and its origin, its evolution and its place in society, is a testimony of resistance and adaptation.

The Haïtian Compas: A Musical and Cultural Journey

Music has always been an essential part of Haïtian culture, and among the many genres that have emerged from this Caribbean island, Compas holds a special place. It is a musical style that carries with it the history, cultural diversity and vibrant energy of Haïti. b~Origins and Evolution~b The Compas Haïtien, also known as Kompa, has deep roots in Haïtian and African musical traditions. Its development was influenced by genres such as Dominican merengue, Cuban salsa, jazz and even rock. This fusion of styles has resulted in a distinctive sound that embodies the cultural richness and diversity of Haïti. The Haïtian Compass has evolved over the decades, moving from a more traditional style to more modern and sophisticated forms. Iconic artists such as Nemours Jean-Baptiste and Tabou Combo helped shape the genre and propel it onto the international music scene. b~The Characteristics of the Compass~b Le Compas Haïtien is characterized by its intoxicating rhythm and complex arrangements. Traditional instruments such as guitar, saxophone, drums, and of course, bass, play a crucial role in creating this catchy music. The lyrics, often sung in Haïtian Creole, address varied themes, from love and joy to social and political issues. Dance is an inseparable component of the Haïtian Compass. The irresistible rhythms encourage the dancers to sway to the music. Traditional dance moves, such as "Kompa Direk" and "Kompa Love," reflect the joyful expression and sensuality that characterize this musical genre. b~Global Influence~b Over the years, the Haïtian Compas has transcended the borders of Haïti to conquer the international stages. Haïtian artists helped popularize the genre around the world, bringing with them the warmth and vitality of Haïtian culture. Music festivals dedicated to Compas attract fans from around the world, providing an immersive experience of this catchy music. The Haïtian Compass is much more than a musical genre; it is a standard bearer of Haïtian culture, a mirror reflecting the history, diversity and resilience of the Haïtian people. Discovering the Haïtian Compas means diving into a world of captivating rhythms, passionate dances and captivating stories, while celebrating Haïti’s unique musical heritage. Whether you are a world music lover or simply curious about new experiences, the Compas Haïtien is an invitation to an unforgettable sound journey.