News / Music

Discover Festivals in Haiti

Haiti, a multifaceted island, is renowned for its picturesque landscapes, rich culture and vibrant festivals. Haitian festivals are much more than just celebrations; they represent the very soul of the nation, embodying its history, its traditions and its community spirit. Let’s dive into this journey, through some of Haiti’s most iconic festivals.

UNESCO, Haïti Jazz Foundation and MCC Unite for Kreyol Jazz

On Monday, April 28, 2025, UNESCO, represented by Mr. Éric Voli Bi, Director for Haiti, the Haïti Jazz Foundation, represented by Ms. Milena Sandler, Executive Director, and Mr. Joel Widmaier, Artistic Director of PAP Jazz, along with the Ministry of Culture and Communication, represented by Ms. Stéphanie Saint-Louis, Director of Cultural Affairs at the MCC, held a press conference at UNESCO’s office on Rue Geffrard in Pétion-Ville. During the event, they announced their alliance to promote Kreyol Jazz.

Coupé Cloué, the king of Haitian music.

Coupé Cloué, whose real name is Jean Gesner Henry, is a genius of Haitian music, both singer and musician, his mark in the musical pantheon of Haïti is alongside the most prestigious names, such as Nemours Jean-Baptiste, Robert Sico et al.

10 Unforgettable Haitian Christmas Songs That Marked the Spirits

The holiday season in Haïti is full of magic, and Christmas songs play an essential role in this warm and festive atmosphere. Between traditions, wild rhythms and nostalgic melodies, Christmas music in Haïti reflects the cultural richness of the country. Here is a selection of 10 unforgettable Haitian Christmas songs, which continue to make hearts vibrate and leave a mark on minds.

A 100% Lakay Pap Jazz for 2025

On Tuesday, March 11, 2025, the Haïti Jazz Foundation officially announced the launch of the 18th edition of Pap Jazz during a press conference with festival partners, such as the Canadian Embassy, represented by H.E. Mr. André François Giroux, the French Embassy represented by H.E. Mr. Antoine Michon, the Spanish Embassy represented by H.E. Mr. Marco Peñin Toledano, and the Mexican Embassy, represented by Mr. Jesús Cisneros, Chargé d’Affaires ad hoc of Mexico in Haiti. The Bank of the Republic of Haiti, represented by Mr. Rotchild Jean François Junior and Mrs. Stéphanie St Louis from the Direction of Artistic and Literary Creation, Ministry of Culture and Communication, Mr. Joel Widmaier, Artistic Director of the festival, along with the General Director of the Haïti Jazz Foundation, took the time to explain the details of this 18th edition, including the logistical complexities involved in organizing the festival this year due to the country’s precarious security situation. This edition will take place from March 20 to 22, 2025, across four venues: Quartier Latin, the Brazil-Haïti Cultural Center, the French Institute in Haiti, and the Karibe Hotel.

The compas direct: an important part of Haitian identity.

Music plays a crucial role in shaping the identity of a nation; in Haiti, it occupies a central place in the lives of almost all Haitians. It is used as one of the most reliable means used by the Haitian people to escape from the many events that constitute the majority of their daily lives. The musical genre that predominates in Haïti is direct compass. Created by the Haitian creative spirit, the compass evolved over the years to reach its current position. Today we can say with certainty that it is a musical genre that transcends generations and borders, becoming a symbol of pride and an inspiring sign for Haitians around the world.

Haiti: Rutshelle Guillaume triumphs at the summit of “Nuits d’Afrique” with the Francophonie prize

Haitian musical sensation Rutshelle Guillaume has been awarded the prestigious Nuits d’Afrique Prize for Francophonie. This distinction was presented to her this Monday, the day after her electrifying performance which closed the festival, attracting hundreds of spectators impatient to see the performance of the one nicknamed the “Queen of Kompa”.

Rutshelle Guillaume and Blondedy Ferdinand Team Up to Launch RGGlow

Elephant Haitian music and film icons Rutshelle Guillaume and Blondedy Ferdinand are adding another string to their bow with the launch of "RGGlow," a premium skincare brand. This unprecedented collaboration reflects their shared commitment to female empowerment and the celebration of beauty in all its diversity. Set to launch on December 12, 2024, the "RGGlow" line promises products designed to nourish, rejuvenate, and brighten the skin. Made with quality ingredients, "RGGlow" products aim to meet the specific needs of women looking for effective and elegant solutions for their beauty routine. The official launch will take place during an exclusive event at Blondedy Ferdinand Studio, starting at 5 p.m. The event will bring together celebrities, beauty professionals, and fans to celebrate this unique initiative. This is an anticipated moment that will mark the beginning of an ambitious and inspiring project. Beforehand, an exclusive live will be broadcast on December 11 at 7 p.m. on all platforms, allowing the general public to discover the behind the scenes of this entrepreneurial adventure. Rutshelle Guillaume and Blondedy Ferdinand will share the inspirations behind RGGlow, while revealing some secrets about the products that make up this range. This project represents much more than a simple cosmetics brand. RGGlow positions itself as a symbol of unity and determination, carried by two powerful and influential figures. Through this collaboration, Rutshelle and Blondedy wish not only to offer quality products, but also to convey a strong message: every woman deserves to feel beautiful, radiant and confident.

Pap Jazz 2025, a Celebration of Haiti’s Great Musical Richness

On Sunday, April 6, 2025, the Karibe Convention Center in Juvenat transformed into a true cultural temple to close the 18th edition of the Port-au-Prince International Jazz Festival (PAPJAZZ). This year, the festival took place under the evocative theme "PAP JAZZ it UP", and it was held in three sites primarily located in the Pétion-Ville commune. The festival took place entirely at these wonderful musical venues: a reference was made to the Latin Quarter, the Haiti-Brazil Cultural Center, and the Karibe Hotel. Due to the deteriorating situation in downtown Port-au-Prince in recent times, the French Institute site had to be abandoned by the festival organizers. Nevertheless, we can absolutely call this 18th edition of Pap Jazz a success. Indeed, this festival, now a major event of the Haitian year, was especially marked this year by the great resilience and determination of the organizers who were able to adapt to the country’s rhythm in order to satisfy their loyal festival-goers. Despite the difficult context, these festival-goers did not miss the opportunity to escape their harsh daily lives through music. It’s also important to note that this 18th edition of Pap Jazz took place after two postponements, at the very beginning of this year, with the last one occurring in March due to insecurity. In this regard, it is appropriate to call the monumental achievement of the Haïti Jazz Foundation and their partners an exceptional feat, as they were not discouraged and showed remarkable tenacity, while adapting to offer Port-au-Prince and its surroundings this moment of growth, beyond the city’s great sorrow, through music.