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Haïti : Citadelle la FerrièreHaïti : Citadelle la Ferrière

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Culture November 25, 2023

Haitian traditions

Haiti, the pearl of the Antilles, is a country rich in history and traditions. Its vibrant and diverse culture is reflected through its national holidays, cultural festivities, traditional foods, religious beliefs, folk tales, and traditional games. Let’s immerse ourselves in the social fabric of Haïti to discover the beauty of its traditions. b~National Holidays:~b National holidays in Haïti are moments of pride and national unity as January 1, Independence Day, commemorates the victory of Haitian slaves over French colonial forces in 1804, making Haïti the first independent country in Haiti. Latin America and the Caribbean or the commemoration of the Battle of Vertières on November 18. The Battle of Vertières was one of the last great battles of the revolution. It took place in Vertières, near the town of Cap-Haitien. b~Cultural Festivities:~b Haïti is also famous for its cultural festivities, particularly Carnival, which is an explosion of color, dance, and music. Artistic and craft events, such as the Rara festival, are an opportunity for artists to showcase their talent. The Rara, a musical parade, combines folklore and spirituality, creating a unique experience. b~Traditional Foods:~b Haitian cuisine is a delight for the taste buds. Dishes like griot (fried pork), diri djon djon (rice with black mushrooms), and the legendary joumou (joumou soup) are an integral part of Haitian culinary tradition. Bold flavors, spices and cooking methods inherited from African and French tradition make Haitian cuisine unforgettable. b~Vodou:~b Vodou, often misunderstood, is a synchretic religion that incorporates elements of Catholicism, African animism, and indigenous beliefs. It plays a significant role in the daily lives of Haitians, influencing music, dance, and religious rites. Vodou is a profound expression of Haitian spirituality. The Tales (Krik Krak, Tim Tim, Bwa Sèch): Haitian folk tales, passed down from generation to generation, are rich in morality and wisdom. b~Konbit :~b The concept of Konbit represents community solidarity. Haitians come together to perform community tasks, whether in agricultural fields or for construction projects. It is a living example of the collective spirit that permeates Haitian society. The most recent major project to date concerns the construction of the canal from the Massacre River to Ouanaminthe, which took place between September and December 2023. Thousands of inhabitants of the north of the country mobilized all their forces to erect a canal allowing to collect water intended for irrigation of their plantations, with the aim of obtaining better harvests. Despite their modest means, they were motivated by the slogan "KPK" (Kanal la pap kanpe), a direct response to Dominican President Luis Abinader who warned them and did everything in his power to stop the construction of the canal. This channel represents the deep solidarity of Haitians and reaffirms national pride. Despite economic challenges, the people of northern Haïti have demonstrated exceptional determination to work together for a common goal. The slogan “Kanal la pap kanpe” embodies their resilience in the face of external pressures and demonstrates their unwavering will to continue the construction of the canal. b~Traditional Games:~b Traditional games are an essential part of daily life in Haiti. Games like lido, sote kòd, Yoyo, Ralba, Marèl, TiTaTo, Kay, lago kache, Monte kap, teke mab, woule sèk, twa fwa se manbo, and domino bring people together, promoting camaraderie and fun. Haitian traditions are a harmonious blend of spirituality, community, and cultural diversity. Every aspect, from national holidays to traditional games, helps weave the rich cultural tapestry that makes Haïti proud. These traditions are the beating heart of the nation, a precious heritage that continues to be passed down from generation to generation.

Par Appolon Guy Alain | 1
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Culture April 29, 2024

Petit-Goave, Haiti: Decryption of the 3rd rara weekend!

It is more and more obvious that in Petit-Goave the media space is absorbed by the rivalry between Ratyèfè, triple champions and lambi gran lambi dlo, a former champion. The past weekend was once again irrefutable proof of the media tension over these two rival bands. With a carnival-like appearance, the fan club of the first dressed in a white shirt, short orange-yellow skirt, purple tie, black boot; the other dressed in a traditional hat, yellow jersey, red pants, red or yellow tennis shoes. This marriage of colors with the taste of carnival is the expression of cultural diversity as La Fontaine said in his book tales and short stories "diversity is my motto." This formula can adapt well to the rara. If it is true in Léogane this marriage of color has existed for ages. It is no less true that this was the case in Petit-Goave because we had to wait for the strong return of Ratyèfè in 2018 to see the rara fan clubs dress differently each new weekend. Last Saturday more than one expected a new face to face between Lambi gran dlo and Ratyèfè because the latter weighed anchor in the direction of the 2nd plain and the latter, in the direction of the city center. Less than in any other circumstance, this duel at the top was obvious. If for some comments it was a favorable opportunity for Lambi to take his revenge on his rival compared to the previous weekend because he had done the profile although he had the advantage because he was two against one. (Lambi,chenn tamarin vs Ratyèfè). This enormous advantage did not work in their favor because the hours that had passed worked against them, as proof they had gone to sleep while ratyèfè remained to play for at least 30 more rounds. Surprisingly but not surprisingly during the meeting long awaited by less than one, at the Acul not far from the Saint Jean-Baptiste church, lambi had decided not to play anymore. However, according to the customs and costumes of the rara when there are two bands, the one who stops playing first, shows weakness and surrender. Consequently, the other who is opposite out of decency and good morals has no other choice to do the same. It follows that for the umpteenth time the great power formation (lambi grand dlo) was unable to take revenge on its rival. For many cultural journalists who were present to witness this event did not have their tongue in their pocket to give their impression of Ratyèfè’s monster performance. This is the case for Brignol, a cultural commentary which wondered if Ratyèfè had the devil in his body so that the most incredulous were in their feeling of joy. On Sunday evening this monster of animation once again made its mark in the art of its know-how. This is what explains the almost unanimity among the cultural journalists of Petit-Goâve in granting first place to this band for its performance and its musical discipline. So, for this weekend according to the circle of cultural journalists of Petit-Goave and with the approval of many other cultural comments. We have the following classification: 1st Ratyèfè 2nd Grap Kenèp 3rd Orgueil de la jeunesse

Par Gladimyr Vaval | 1
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Culture November 01, 2024

Guédés: When Haïti celebrates its ancestors with color and fervor

Every November 1st and 2nd, Haïti comes alive with the colors black and purple to celebrate the Guédés, spirits venerated in the voodoo religion, symbols of a powerful bond between the living and the dead. Fascinating, indomitable and provocative, the Guédés form a true family in the pantheon of Haitian voodoo, where they are respected for their role as spiritual guides of the deceased to the afterlife. Led by iconic figures such as the legendary Baron Samedi and his companion Grann Brigitte, the Guédés embody the paradoxes of life and death. Each Baron has a unique personality: Baron Cimetière, Baron Kriminel, and Baron La Croix are the guardians of the souls that wander on the borders of the world of the dead. Together, they form a powerful and somewhat frightening presence, but one that is deeply rooted in Haitian culture. The Guédés are not like other voodoo spirits; they demonstrate their fearlessness in a spectacular way. Accustomed to death, they are fearless and are provocative: they eat glass, raw peppers, and coat their sensitive parts with rum and pepper. These gestures mark their indifference to danger and remind us that they have already known earthly life. They are thus psychopomps – these beings who lead the souls of the dead – and act as bridges between the world of the living and that of the dead. Some Guédés, like Guédé Nibo, wear black, purple, and white clothing, each with unique characteristics. They are many and varied: Guédé Fouillé, Guédé Loraj, Papa Guédé, and many others. These are the spirits who, each year, remind Haitians of the importance of remembering and honoring the deceased. The cult of the Guédés is not only religious; it is also cultural and historical. According to tradition, their spiritual territory, or “Fètomè” – nicknamed the “Country without Hats” – is a place where the souls of ancestors reside. According to stories, the origins of this cult go back to the Abomey plateau, the ancient capital of the kingdom of Dahomey, in Africa, where death and life coexist in a form of symbiosis. This celebration in Haïti even finds echoes in ancient history. The Romans also honored their dead with the “Fête des Lémuria”, which took place in February, to ward off spirits and restore peace between the world of the living and that of the deceased. For Haitians, honoring the Guédés is about accepting death as a part of life and celebrating the invisible bonds that unite us with those who have left us. It is also a way of resisting, because life, despite its challenges, must be celebrated in all its complexity and depth.

Par Faïly Anderson Trazil | 1
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Culture February 09, 2024

Haiti: The Rara season in Petit-Goâve: A celebration of life, unity and resilience

As the new season of Rara looms on the horizon, certain groups such as Saint Jacques Majeur, Ratyèfè, Florida Band, Lambi Grand, and Grap Kenèp are already preparing to light up the streets of Petit-Goâve with their flamboyant costumes and their captivating melodies. For these groups, the future looks bright, promising a season full of passion and success. However, other rara bands are still hesitant about which direction to take. Despite these uncertainties, optimism reigns regarding the success of this new season for all rara groups in the commune of Petit-Goâve. Rara, anchored in the Vodou tradition, is much more than a simple artistic manifestation. It embodies the very essence of Haitian culture, highlighting questions of memory, tradition and identity. This increasingly popular form of artistic expression attracts a large audience and arouses unprecedented enthusiasm. Groups like Ratyèfè, Grap Kenèp, Florida Band and Chenn Tamaren, recognized for their ability to delight their fans, play a crucial role in the continued growth of rara in the town. The rara season traditionally begins on Dead Thursday and ends on the night of Easter Sunday or quasimodo Monday. To mark the beginning of this sacred period, groups organize opening ceremonies, honoring the spirits of the deceased in rituals steeped in spirituality. These ceremonies, often held in cemeteries or in the "Bitasyons" of groups, symbolize the deep link between the rara and Vodou traditions.

Par Jarule Laguerre | 1
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Haiti: Appolon Guy Alain, among the best Haitian developers

In the vast world of IT development in Haiti, there are figures who stand out for their talent, dedication and vision. Among them, Appolon Guy Alain emerges as one of the best developers in the country, recognized for his ingenuity and creativity. With a strong background in the field of software development, Apolon has managed to rise to the top of its field. Its reputation extends well beyond Haitian borders, attracting the attention and respect of many companies abroad. It is not only his technical expertise that sets him apart, but also his ability to combine art and technology in a unique way. Discover some of Guy Alain Appolon’s achievements by clicking on the following link: https://haitiwonderland.com/haiti/personnalite/le-webmaster-haitien--guy-alain-appolon-une-reference-incontestee/79 What makes Apolon unique is its versatility. As a full-stack developer, he excels in all phases of a project, from design to implementation to user interface development. His ability to merge his talents as a painter, professional musician and computer graphic designer allows him to create attractive interfaces that captivate users at first glance. The Haïti Wonderland website (www.haitiwonderland.com) is a shining example, captivating visitors with its attractive and intuitive design. Read also: https://haitiwonderland.com/haiti/personnalite/expert-en-seo-et-uiux-design--decouvrez-le-developpeur-haitien-appolon-guy-alain/65

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History

History

First black nation to free itself from slavery and gain independence from France in 1804 and influenced other liberation movements around the world, inspiring struggles for freedom and equality.

Natural beauty

Natural beauty

Haïti is blessed with spectacular natural landscapes, including white sand beaches, mountains and rich biodiversity.

Heritage

Heritage

Haïti has a rich historical heritage, including sites like the Citadelle Laferrière and the Sans-Souci Palace, listed as UNESCO World Heritage Sites.

Culture

Culture

Haïti has a rich and diverse culture, influenced by African, European and indigenous elements. Haitian music, dance, art and cuisine are celebrated around the world.

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