News / Culture

Haiti: Cap-Haïtien Boulevard ignites to the rhythm of Rara Fest

Rara Fest 2025 in Cap-Haïtien: music, colors, and Haitian traditions come alive. A cultural and touristic event not to miss.

Haiti: Carnival and Rara: Crossed Perspectives on Culture and Haitian Identity

In our tradition, carnival represents an essential cultural activity. Indeed, for the holding of it this year, the State had drawn from the public treasury not only a huge sum but also a strong concentration of law enforcement to ensure the protection and security of carnival-goers in the area. metropolitan. Despite numerous criticisms and concerns expressed by certain media on the one hand, then on the other hand by the democratic opposition. While it is true that in Port au Prince these concerns had had a no less valuable consequence on the progress of this festivity. It is no less true that this was the case in other provincial towns, as proof in the southeast department the authorities did not record anything as an element of accident or incident during the progress of the carnival unlike Port au Prince. Certainly, socio/economic problems are increasingly worrying, nevertheless what makes us what we are today, a free and independent people is none other than our exceptionality. This deeply expresses our intrinsic characteristic in relation to people. In fact, historically we are a people who laugh and cry, smile and irritate, dance and hit the system, sing and fight so well that "grenadya alaso sa ki mouri zafè ya yo" is the most emblematic song of the slaves for the conquest of our freedom. We do not intend to claim that those who expressed their disagreement with the carnival are showing a historical deficit. However, we leave in the shadows a fundamental question: why is carnival taken care of by the State while the rara is like an abandoned child? The rara is not only a simple cultural tradition but, above all, it is the heritage of our valiant warriors who bravely fought the French expeditionary army, the most powerful of the time. While, this mass cultural, she is still marginalized by state authorities. It is emphasized that social cohesion is the dead point of carnival. On the other hand, this is the strong point of rara. As proof, the Thursday of the Dead in our Voudouesque tradition which represents the opening ceremony for the rara bands is the blatant testimony of this social cohesion. And, in fact, there were circles of people who took divergent directions to attend the opening ceremony of their rara bands. For this opening ceremony the atmosphere was a taste of carnival in terms of color. On the side of Croix Hilaire, for the title champion Ratyèfè full force band, the color of his club was very diverse, a long dress of apricot yellow, mauve white, then white scarf. In terms of performance, this band had completely proven its champion skills thanks to its arsenal of musicians who were not in their testing phase. To tell the truth, they performed their note with surgical precision as a doctor-surgeon in his surgical procedure. The synchronization between the musicians, the instruments and then the fans form a whole and harmonize perfectly well. This band not only has the magic of words and verbs, it seems that they also have the magic to thrill even the most reluctant fans. Moreover, his performance for this dead Thursday was a challenge for his rivals this weekend to the extent that their performances were less good. On the symbol side of light, Grap Kenèp was the wonder of the Thursday evening of the dead. His club dressed in the appropriate color for this evening, purple scarf, purple jersey, then white “kolan”. In a symbolic way, this marriage of color represents Baron in Haitian Vodou. Without a doubt, it was the most beautiful symbolic representation of the evening. In terms of performance, returning from the cemetery we felt a very strong warmth of jubilation, elation, and playfulness for a completely balanced performance. As far as Chenn Tamarin is concerned, it was already 2 a.m. when our team met him, it was a less good performance than what we were accustomed to. On the symbolic side it leaves something to be desired. His news was that he had his own media. Petit-Goave/Culture and Society

Cultural exploration: Discovering the Haitian soul

Cultural exploration offers a fascinating window into the richness and diversity of world heritage. Among destinations that captivate with their history, art and unique identity, Haïti stands out as a cultural gem worth discovering. b~Historical heritage:~b The history of Haïti is marked by the resilience of the Haitian people in the face of slavery, colonization and political challenges. It is the first independent state in Latin America and the only one founded by a successful slave revolt. Haiti’s historical heritage is reflected in its art, music, dance and beliefs. b~Art and Crafts:~b Haitian artistic expression is vibrant and powerful. Naive painting, famous for its bright colors and narrative themes, has its roots in Vodou traditions and local folklore. Haitian artists have gained international fame by capturing the mystical spirit and daily life of the country. b~Music, rhythm of the Haitian soul:~b Music is the pulsating soul of Haiti. From direct compass to voodoo to jazz to rasin, each musical genre has a deeply rooted history in Haitian culture. The iconic band, Boukman Eksperyans, fuses traditional rhythms with modern influences, creating a unique sonic experience that transcends boundaries. b~Dance and movements:~b Dance in Haïti is a celebration of life and spirituality. Voodoo dances, such as Yanvalou and Banda, embody sacred rituals while preserving African heritage. The graceful movements and colorful costumes tell stories from Haitian history, creating a deep connection between past and present. b~Spirituality and Voodoo:~b Vodou, often misunderstood, is an essential component of Haitian culture. It is a syncretic religion that combines African, Native American and Catholic elements. Vodou ceremonies, with their intoxicating dances and mystical rituals, are powerful expressions of Haitian spirituality and are rooted in the quest for connection with ancestors and deities. Exploring the Haitian soul means delving into a world where history, art, music and spirituality intertwine to form a unique cultural web. Haiti, with its diversity and resilience, offers an experience rich in emotions and discoveries. Whether through the bustling streets of Port-au-Prince, the vibrant art galleries or the captivating rhythms, every corner of this Caribbean country reveals a captivating facet of its deep and living soul.

Christmas in Haiti, A Time of Sharing and Generosity

Christmas in Haïti is much more than just a Christian holiday: it is an opportunity to celebrate solidarity, generosity, and unity within families and communities. Haitians embrace this time as a time to gather, share, and reflect on the essential values ​​of humanity. This article explores how Christmas in Haïti embodies these values ​​of sharing and generosity through unique traditions, acts of solidarity, and festive meals.

December 24 and 31: Two Important Dates for Children During Christmas in Haiti

In Haiti, Christmas is a magical time for children, where traditions and festivities blend to create unforgettable memories. Two dates, in particular, mark this season: December 24, Christmas Eve, and December 31, which heralds the New Year. These moments are rich in activities and emotions, putting the youngest at the heart of the celebrations. This article explores why these two days are so special for children in Haiti.

Nanm Vodoua brings forth the fire of Ogou Feray at the French Institute

One year after the release of their album “TRAVÈSE”, the group Nanm Vodou continues to trace its musical path with passion and authenticity. With the valuable support of the French Institute in Haiti, Nanm Vodou presented the concert “Yon lane pou Travèse” on Thursday July 18, 2024, to mark the start of the summer festivities. Fans of Haitian music and culture experienced a captivating evening, where the rhythms of drums and sacred chants resonated with spiritual intensity.

Haiti: Music and dance

Haiti, pearl of the Antilles, is a multifaceted country where vibrant culture is manifested through its captivating music and dances. Let’s dive into the sound and choreographic world of Haiti, exploring the catchy rhythms, captivating melodies and graceful movements that captivate souls around the world.

Celebrating Christmas in Haiti: How Haitian Culture Makes the Holidays Shine

Christmas in Haïti is a time when culture, spirituality, and conviviality come together to create a unique and warm atmosphere. This holiday, deeply rooted in the country’s traditions, is an opportunity to bring families together, share delicious meals, and celebrate together in a spirit of solidarity. This article explores how Christmas is celebrated in Haiti, highlighting the local traditions, feasting, and community spirit that make this time of year an unforgettable experience.

Guédés: When Haïti celebrates its ancestors with color and fervor

Every November 1st and 2nd, Haïti comes alive with the colors black and purple to celebrate the Guédés, spirits venerated in the voodoo religion, symbols of a powerful bond between the living and the dead. Fascinating, indomitable and provocative, the Guédés form a true family in the pantheon of Haitian voodoo, where they are respected for their role as spiritual guides of the deceased to the afterlife. Led by iconic figures such as the legendary Baron Samedi and his companion Grann Brigitte, the Guédés embody the paradoxes of life and death. Each Baron has a unique personality: Baron Cimetière, Baron Kriminel, and Baron La Croix are the guardians of the souls that wander on the borders of the world of the dead. Together, they form a powerful and somewhat frightening presence, but one that is deeply rooted in Haitian culture. The Guédés are not like other voodoo spirits; they demonstrate their fearlessness in a spectacular way. Accustomed to death, they are fearless and are provocative: they eat glass, raw peppers, and coat their sensitive parts with rum and pepper. These gestures mark their indifference to danger and remind us that they have already known earthly life. They are thus psychopomps – these beings who lead the souls of the dead – and act as bridges between the world of the living and that of the dead. Some Guédés, like Guédé Nibo, wear black, purple, and white clothing, each with unique characteristics. They are many and varied: Guédé Fouillé, Guédé Loraj, Papa Guédé, and many others. These are the spirits who, each year, remind Haitians of the importance of remembering and honoring the deceased. The cult of the Guédés is not only religious; it is also cultural and historical. According to tradition, their spiritual territory, or “Fètomè” – nicknamed the “Country without Hats” – is a place where the souls of ancestors reside. According to stories, the origins of this cult go back to the Abomey plateau, the ancient capital of the kingdom of Dahomey, in Africa, where death and life coexist in a form of symbiosis. This celebration in Haïti even finds echoes in ancient history. The Romans also honored their dead with the “Fête des Lémuria”, which took place in February, to ward off spirits and restore peace between the world of the living and that of the deceased. For Haitians, honoring the Guédés is about accepting death as a part of life and celebrating the invisible bonds that unite us with those who have left us. It is also a way of resisting, because life, despite its challenges, must be celebrated in all its complexity and depth.