Kenscoff, the other side of Haïti that we refuse to see

The Haïtian Compas: A Musical and Cultural Journey

Music has always been an essential part of Haïtian culture, and among the many genres that have emerged from this Caribbean island, Compas holds a special place. It is a musical style that carries with it the history, cultural diversity and vibrant energy of Haïti. b~Origins and Evolution~b The Compas Haïtien, also known as Kompa, has deep roots in Haïtian and African musical traditions. Its development was influenced by genres such as Dominican merengue, Cuban salsa, jazz and even rock. This fusion of styles has resulted in a distinctive sound that embodies the cultural richness and diversity of Haïti. The Haïtian Compass has evolved over the decades, moving from a more traditional style to more modern and sophisticated forms. Iconic artists such as Nemours Jean-Baptiste and Tabou Combo helped shape the genre and propel it onto the international music scene. b~The Characteristics of the Compass~b Le Compas Haïtien is characterized by its intoxicating rhythm and complex arrangements. Traditional instruments such as guitar, saxophone, drums, and of course, bass, play a crucial role in creating this catchy music. The lyrics, often sung in Haïtian Creole, address varied themes, from love and joy to social and political issues. Dance is an inseparable component of the Haïtian Compass. The irresistible rhythms encourage the dancers to sway to the music. Traditional dance moves, such as "Kompa Direk" and "Kompa Love," reflect the joyful expression and sensuality that characterize this musical genre. b~Global Influence~b Over the years, the Haïtian Compas has transcended the borders of Haïti to conquer the international stages. Haïtian artists helped popularize the genre around the world, bringing with them the warmth and vitality of Haïtian culture. Music festivals dedicated to Compas attract fans from around the world, providing an immersive experience of this catchy music. The Haïtian Compass is much more than a musical genre; it is a standard bearer of Haïtian culture, a mirror reflecting the history, diversity and resilience of the Haïtian people. Discovering the Haïtian Compas means diving into a world of captivating rhythms, passionate dances and captivating stories, while celebrating Haïti’s unique musical heritage. Whether you are a world music lover or simply curious about new experiences, the Compas Haïtien is an invitation to an unforgettable sound journey.

Haiti: A Unique Destination Combining Tourism and Culture

Haiti, an unknown pearl of the Caribbean, seduces with its cultural richness and breathtaking landscapes. Cradle of a fascinating history and a vibrant cultural identity, this country offers visitors an authentic experience, far from the beaten track.

Petit-Goave, Haiti: Decryption of the 3rd rara weekend!

It is more and more obvious that in Petit-Goave the media space is absorbed by the rivalry between Ratyèfè, triple champions and lambi gran lambi dlo, a former champion. The past weekend was once again irrefutable proof of the media tension over these two rival bands. With a carnival-like appearance, the fan club of the first dressed in a white shirt, short orange-yellow skirt, purple tie, black boot; the other dressed in a traditional hat, yellow jersey, red pants, red or yellow tennis shoes. This marriage of colors with the taste of carnival is the expression of cultural diversity as La Fontaine said in his book tales and short stories "diversity is my motto." This formula can adapt well to the rara. If it is true in Léogane this marriage of color has existed for ages. It is no less true that this was the case in Petit-Goave because we had to wait for the strong return of Ratyèfè in 2018 to see the rara fan clubs dress differently each new weekend. Last Saturday more than one expected a new face to face between Lambi gran dlo and Ratyèfè because the latter weighed anchor in the direction of the 2nd plain and the latter, in the direction of the city center. Less than in any other circumstance, this duel at the top was obvious. If for some comments it was a favorable opportunity for Lambi to take his revenge on his rival compared to the previous weekend because he had done the profile although he had the advantage because he was two against one. (Lambi,chenn tamarin vs Ratyèfè). This enormous advantage did not work in their favor because the hours that had passed worked against them, as proof they had gone to sleep while ratyèfè remained to play for at least 30 more rounds. Surprisingly but not surprisingly during the meeting long awaited by less than one, at the Acul not far from the Saint Jean-Baptiste church, lambi had decided not to play anymore. However, according to the customs and costumes of the rara when there are two bands, the one who stops playing first, shows weakness and surrender. Consequently, the other who is opposite out of decency and good morals has no other choice to do the same. It follows that for the umpteenth time the great power formation (lambi grand dlo) was unable to take revenge on its rival. For many cultural journalists who were present to witness this event did not have their tongue in their pocket to give their impression of Ratyèfè’s monster performance. This is the case for Brignol, a cultural commentary which wondered if Ratyèfè had the devil in his body so that the most incredulous were in their feeling of joy. On Sunday evening this monster of animation once again made its mark in the art of its know-how. This is what explains the almost unanimity among the cultural journalists of Petit-Goâve in granting first place to this band for its performance and its musical discipline. So, for this weekend according to the circle of cultural journalists of Petit-Goave and with the approval of many other cultural comments. We have the following classification: 1st Ratyèfè 2nd Grap Kenèp 3rd Orgueil de la jeunesse

The 10 departments of Haiti

Haiti, a jewel nestled in the heart of the Caribbean, stands out for its cultural, natural and historical wealth. This vibrant nation is divided into 10 departments, each offering unique treasures to discover. Originally formed from the three provinces of the colony of Santo Domingo (North, South and West), these departments have evolved over the years, subdividing into a mosaic of dynamic and distinct regions. Today, Haïti is organized into 42 districts, 146 communes and 575 communal sections. These subdivisions reflect a geographic and cultural diversity that is worth exploring. Ready for a captivating journey through the 10 departments of Haiti? We take you on an exciting exploration of their districts, towns and cities that make them up. Hang in there, the adventure starts here!

Haïti Summer: Travel Guide for an Unforgettable Adventure

Summer in Haïti is a magical season where the sun shines brightly, sparkling beaches invite you to relax, and iconic destinations reveal their cultural wealth. This Caribbean island, often little-known in the world of tourism, is full of treasures to discover. Whether you are a lover of relaxing on the fine sand, a history and culture enthusiast, or an adventurer eager for new experiences, Haïti offers a variety of activities that will satisfy all your summer desires.

Haïti Kompa: Ayo girl, Jason Derulo ft Robinson ft Mikaben

The fusion of cultures and musical genres is at the heart of Jason Derulo’s latest single, "Ayo Girl", in collaboration with Belgian artist Robinson and Afro-rave prodigy Rema. This avant-garde piece, from the album “Nu King”, has already aroused the enthusiasm of Haitian fans, in particular because of the presence of Mikaben, who brings an authentic touch to the piece. What makes this single even more special is the remix of the song by Jason Derulo himself, introducing a compass beat, a vibrant tribute to Haitian music legend, Michael Benjamin. This initiative was welcomed by Benjamin’s family, recognizing Derulo’s respect and preservation of the musical heritage of the Haitian artist. The Compas Haïtien, pillar of Haitian music, was also honored through this piece, demonstrating once again the ability of music to transcend cultural boundaries and unite people across the world. With “Ayo Girl,” Jason Derulo and his collaborators not only deliver a captivating track that resonates with diverse musical influences, but also a heartfelt tribute to the richness and diversity of Haitian music.