News / Scientific Research

Haïti Music: Haitian artist Rutshelle Guillaume crowned “Best Caribbean Artist” at the Trace Awards & Festival 2023

The international music scene buzzed with excitement on Saturday, October 20, 2023 when talented Haitian singer Rutshelle Guillaume was crowned “Best Caribbean Artist” at the prestigious Trace Awards & Festival 2023, held in Kigali, Rwanda. This award recognizes a remarkable career and a significant contribution to the evolution of Caribbean music. Rutshelle Guillaume is an artist who has captured the hearts of music lovers thanks to her undeniable talent and her numerous quality productions. The Trace Awards & Festival is an event renowned for its promotion of Afrocentric music and culture. It is a platform that celebrates the musical diversity of the Caribbean while highlighting the creativity of the region. Caribbean artists are honored for their exceptional contribution to the enrichment of world music. Rutshelle Guillaume’s victory at this prestigious event is not only a tribute to her talent, but also a recognition of the richness of Caribbean music and its ability to transcend geographical boundaries. The Haitian singer knew how to embody this musical diversity and touched the hearts of many listeners around the world. Her career, marked by memorable titles and collaborations with other talented artists, has made her an ambassador for Caribbean music on an international scale. His commitment to promoting Haitian and Caribbean culture has helped strengthen ties between artists in the region and the rest of the world. Rutshelle Guillaume continues to inspire many emerging artists and show that passion, talent and dedication can lead to extraordinary achievements. His victory at the Trace Awards & Festival 2023 is a well-deserved tribute to his influence and undeniable contribution to Caribbean music. Ultimately, Rutshelle Guillaume’s recognition as "Best Caribbean Artist" at the Trace Awards & Festival 2023 is a reminder of the power of music to unite cultures and celebrate artistic diversity. It is a historic moment for the Haitian artist and a source of pride for the Caribbean as a whole. Rutshelle Guillaume continues to be an inspiration to many artists and music lovers around the world, and her music will live on as a testament to her incredible talent and dedication to her art.

Haïti / Ganthier: I Let You In, an Ode to Modern Relationships by Igens VIL

The Meaning of the Essence of Love The commune of President Boniface Alexandre and Martial CELESTIN produces a talented artist. Yes, Ganthier stands out as one of its best representatives on the international scene. "I Let You In" is a title that lays bare the complexity of heterogeneous relationships around the world. This opus, both provocative and touching, awakens the mind, body and soul. I am deeply moved by the way in which the artist Igens VIL, a true emblematic figure of Ganthier, evokes intense emotions and provokes reflection on the issues of contemporary romantic relationships. Each verse of this composition, co-written with Dayvin Kaponda, contains profound messages about tolerance towards others, our aspirations and ambitions, the true foundations of authentic love. It is the very essence of life. Despite the tumults of daily life and the inevitable misunderstandings in human relationships, he reminds us that “in my life, there is always a me; I have tried everything. Even if it means taking a step back, I am ready to do it. And if it means, I will get down on my knees”. The singer, who spent a large part of his adolescence in Galette-Chambon, the first communal section of the commune of Ganthier, is now active in the French music industry. He eloquently and skillfully addresses the complex triangle of sentimental relationships: sacrifice, tolerance and communication. This remarkable work deserves to be heard everywhere; it inspires faith, reflection and action. Gensbe, known as Igens VIL, deserves awards for this song. Guitarist, singer, composer and academic in France, he embodies a rare mix of talents for a young Haitian engaged in these demanding fields that require time, sacrifice and a lot of energy. Today, Gensbe is at his peak and never gives up. More songs are in the works for you, dear listeners. Subscribe to Gensbe on YouTube and other platforms. He is without a doubt one of the best Haitian artists among the big international names. I’ll let you in.

Haïti and the price of independence

Haïti is known for its significant history and its crucial role in the fight against slavery and for independence. The country gained independence from France on January 1, 1804, becoming the world’s first independent black republic and the first country in the Americas to abolish slavery. However, this independence came at an enormous cost, the effects of which are still felt today.

Dedikas 3.0: New sign of the rising sun in Port-au-Prince

Dedikas is an initiative taken by the young Haitian slam poet, Jean Wood Jude, better known as the Silent Poet. It is a cultural event that highlights poetry and music in the heart of Port-au-Prince. The event aims to offer a space for expression to young artists, especially those evolving in the Haitian slam scene. Dedikas has already taken place twice, and a third edition is planned for Saturday, December 22, 2024, at the Soho premises, located at Delmas 41, number 16, from 2:30 p.m. to 7:00 p.m. This new edition follows on from the first two, which took place respectively on October 8 and December 20, 2023.

10 Things to do in Haiti

Haiti, a jewel of the Caribbean where history, culture and nature meet to create an unforgettable experience. Whether you are passionate about adventure, relaxation or cultural discovery, Haïti offers a variety of activities that will captivate your heart. Here are 10 essential things to do in this paradise country.

Haiti: Carnival and Rara: Crossed Perspectives on Culture and Haitian Identity

In our tradition, carnival represents an essential cultural activity. Indeed, for the holding of it this year, the State had drawn from the public treasury not only a huge sum but also a strong concentration of law enforcement to ensure the protection and security of carnival-goers in the area. metropolitan. Despite numerous criticisms and concerns expressed by certain media on the one hand, then on the other hand by the democratic opposition. While it is true that in Port au Prince these concerns had had a no less valuable consequence on the progress of this festivity. It is no less true that this was the case in other provincial towns, as proof in the southeast department the authorities did not record anything as an element of accident or incident during the progress of the carnival unlike Port au Prince. Certainly, socio/economic problems are increasingly worrying, nevertheless what makes us what we are today, a free and independent people is none other than our exceptionality. This deeply expresses our intrinsic characteristic in relation to people. In fact, historically we are a people who laugh and cry, smile and irritate, dance and hit the system, sing and fight so well that "grenadya alaso sa ki mouri zafè ya yo" is the most emblematic song of the slaves for the conquest of our freedom. We do not intend to claim that those who expressed their disagreement with the carnival are showing a historical deficit. However, we leave in the shadows a fundamental question: why is carnival taken care of by the State while the rara is like an abandoned child? The rara is not only a simple cultural tradition but, above all, it is the heritage of our valiant warriors who bravely fought the French expeditionary army, the most powerful of the time. While, this mass cultural, she is still marginalized by state authorities. It is emphasized that social cohesion is the dead point of carnival. On the other hand, this is the strong point of rara. As proof, the Thursday of the Dead in our Voudouesque tradition which represents the opening ceremony for the rara bands is the blatant testimony of this social cohesion. And, in fact, there were circles of people who took divergent directions to attend the opening ceremony of their rara bands. For this opening ceremony the atmosphere was a taste of carnival in terms of color. On the side of Croix Hilaire, for the title champion Ratyèfè full force band, the color of his club was very diverse, a long dress of apricot yellow, mauve white, then white scarf. In terms of performance, this band had completely proven its champion skills thanks to its arsenal of musicians who were not in their testing phase. To tell the truth, they performed their note with surgical precision as a doctor-surgeon in his surgical procedure. The synchronization between the musicians, the instruments and then the fans form a whole and harmonize perfectly well. This band not only has the magic of words and verbs, it seems that they also have the magic to thrill even the most reluctant fans. Moreover, his performance for this dead Thursday was a challenge for his rivals this weekend to the extent that their performances were less good. On the symbol side of light, Grap Kenèp was the wonder of the Thursday evening of the dead. His club dressed in the appropriate color for this evening, purple scarf, purple jersey, then white “kolan”. In a symbolic way, this marriage of color represents Baron in Haitian Vodou. Without a doubt, it was the most beautiful symbolic representation of the evening. In terms of performance, returning from the cemetery we felt a very strong warmth of jubilation, elation, and playfulness for a completely balanced performance. As far as Chenn Tamarin is concerned, it was already 2 a.m. when our team met him, it was a less good performance than what we were accustomed to. On the symbolic side it leaves something to be desired. His news was that he had his own media. Petit-Goave/Culture and Society

Les Éditions Julien Hilaire launches "Temps de poésie"

In collaboration with HPost5, Les Éditions Julien Hilaire are launching a call for contributions for the publication of the first issue of "Temps de poésie", a literary magazine that, according to the initiators, aims to be a space for exchange, creation and celebration of contemporary poetry. In these times marked by a penchant for destruction, chaos and the law of silence, speaking has become an obligation. Speaking to denounce. Speaking to resist. Speaking to build. The first issue of "Temps de poésie" with the theme "Cathedral under construction, poems as labor" is part of this approach. This theme is an invitation to reflect on the act of building, whether material, spiritual or metaphorical, we read in the press kit. Haïti Wonderland met Ansky Hilaire, the man who leads the project. Interview.

Constitution of the Republic of Haiti: 1987 Amended in 2011 (Second part)

Dominique Beldor: An Unwavering Passion for Radio in the Face of Challenges

On the airwaves of Radio Solidarité 107.3 FM in Port-au-Prince, a familiar voice has been accompanying listeners for years: that of Dominique Beldor, a passionate host and programming director. Through his music show, The Dominik Show, broadcast weekdays and now every Saturday, he has forged a unique connection with the Haitian public, combining music, cultural news, and social analysis. Residing in Florida since May 2024, Dominique continues his remote broadcast with the same energy. Broadcast from Tampa, his show maintains its vocation: to bring Haitian culture to life around the world and offer a space for free, engaged, and respectful discussion. Before leaving the country, the host admitted to having received threats for his opinions and on-air analyses, which forced him to seek shelter to avoid reprisals. Today, from the virtual studios in Florida, Dominique Beldor continues to fly the flag for Radio Solidarité, with a voice freer than ever—and still as close to the hearts of Haitians as ever.