Haiti: Heritage and Historical Sites

Cap-Haïtien Vibrates in the Colors of Summer

As the summer heat sets in on the island, the town of Cap-Haïtien comes alive and vibrates to the rhythm of the holidays. In the lively streets of this historic city in northern Haiti, a joyful and relaxed atmosphere reigns. Residents take full advantage of the simple pleasures of the summer months. The beaches, like cathedrals of fine sand, welcome devotees in search of sun, relaxation and sparkling waves. The lively terraces become the new places of worship, where we savor culinary delights to the rhythm of hearty laughter. Cap-Haïtien, a historic jewel, stands as a summer paradise, inviting everyone to immerse themselves in the sweetness of life in the tropics.

Haiti: The Rara season in Petit-Goâve: A celebration of life, unity and resilience

As the new season of Rara looms on the horizon, certain groups such as Saint Jacques Majeur, Ratyèfè, Florida Band, Lambi Grand, and Grap Kenèp are already preparing to light up the streets of Petit-Goâve with their flamboyant costumes and their captivating melodies. For these groups, the future looks bright, promising a season full of passion and success. However, other rara bands are still hesitant about which direction to take. Despite these uncertainties, optimism reigns regarding the success of this new season for all rara groups in the commune of Petit-Goâve. Rara, anchored in the Vodou tradition, is much more than a simple artistic manifestation. It embodies the very essence of Haitian culture, highlighting questions of memory, tradition and identity. This increasingly popular form of artistic expression attracts a large audience and arouses unprecedented enthusiasm. Groups like Ratyèfè, Grap Kenèp, Florida Band and Chenn Tamaren, recognized for their ability to delight their fans, play a crucial role in the continued growth of rara in the town. The rara season traditionally begins on Dead Thursday and ends on the night of Easter Sunday or quasimodo Monday. To mark the beginning of this sacred period, groups organize opening ceremonies, honoring the spirits of the deceased in rituals steeped in spirituality. These ceremonies, often held in cemeteries or in the "Bitasyons" of groups, symbolize the deep link between the rara and Vodou traditions.

Haiti: Carnival and Rara: Crossed Perspectives on Culture and Haitian Identity

In our tradition, carnival represents an essential cultural activity. Indeed, for the holding of it this year, the State had drawn from the public treasury not only a huge sum but also a strong concentration of law enforcement to ensure the protection and security of carnival-goers in the area. metropolitan. Despite numerous criticisms and concerns expressed by certain media on the one hand, then on the other hand by the democratic opposition. While it is true that in Port au Prince these concerns had had a no less valuable consequence on the progress of this festivity. It is no less true that this was the case in other provincial towns, as proof in the southeast department the authorities did not record anything as an element of accident or incident during the progress of the carnival unlike Port au Prince. Certainly, socio/economic problems are increasingly worrying, nevertheless what makes us what we are today, a free and independent people is none other than our exceptionality. This deeply expresses our intrinsic characteristic in relation to people. In fact, historically we are a people who laugh and cry, smile and irritate, dance and hit the system, sing and fight so well that "grenadya alaso sa ki mouri zafè ya yo" is the most emblematic song of the slaves for the conquest of our freedom. We do not intend to claim that those who expressed their disagreement with the carnival are showing a historical deficit. However, we leave in the shadows a fundamental question: why is carnival taken care of by the State while the rara is like an abandoned child? The rara is not only a simple cultural tradition but, above all, it is the heritage of our valiant warriors who bravely fought the French expeditionary army, the most powerful of the time. While, this mass cultural, she is still marginalized by state authorities. It is emphasized that social cohesion is the dead point of carnival. On the other hand, this is the strong point of rara. As proof, the Thursday of the Dead in our Voudouesque tradition which represents the opening ceremony for the rara bands is the blatant testimony of this social cohesion. And, in fact, there were circles of people who took divergent directions to attend the opening ceremony of their rara bands. For this opening ceremony the atmosphere was a taste of carnival in terms of color. On the side of Croix Hilaire, for the title champion Ratyèfè full force band, the color of his club was very diverse, a long dress of apricot yellow, mauve white, then white scarf. In terms of performance, this band had completely proven its champion skills thanks to its arsenal of musicians who were not in their testing phase. To tell the truth, they performed their note with surgical precision as a doctor-surgeon in his surgical procedure. The synchronization between the musicians, the instruments and then the fans form a whole and harmonize perfectly well. This band not only has the magic of words and verbs, it seems that they also have the magic to thrill even the most reluctant fans. Moreover, his performance for this dead Thursday was a challenge for his rivals this weekend to the extent that their performances were less good. On the symbol side of light, Grap Kenèp was the wonder of the Thursday evening of the dead. His club dressed in the appropriate color for this evening, purple scarf, purple jersey, then white “kolan”. In a symbolic way, this marriage of color represents Baron in Haitian Vodou. Without a doubt, it was the most beautiful symbolic representation of the evening. In terms of performance, returning from the cemetery we felt a very strong warmth of jubilation, elation, and playfulness for a completely balanced performance. As far as Chenn Tamarin is concerned, it was already 2 a.m. when our team met him, it was a less good performance than what we were accustomed to. On the symbolic side it leaves something to be desired. His news was that he had his own media. Petit-Goave/Culture and Society

15 Big Cities in Haïti to Explore

Haiti, often called "the Pearl of the Antilles" and formerly known as "Hispaniola", is a Caribbean country rich in history and culture. It is home to several major cities that play crucial roles in its economic, political and cultural development. Each of these cities has its own character and particularities. Here is an exploration of the 15 major cities of Haiti:

Launch in Haiti: The “Zanmi Lanati Club” is committed to the climate

At the initiative of students Savela Jacques Berenji and Louino Robillard, the first two Haitians to have integrated the diploma program initiated by “SUNX, Climate Friendly Travel (CFT) and the Institute of Tourism Studies (ITS), the “ Club Zanmi Lanati” was officially launched on Saturday July 13, 2024, in Haiti, in Delmas 66. More than thirty young people took part in the initiative whose objective, among other things, is to combat climate change, promote responsible tourism, train citizens (ecological tourists) and encourage the creation of tourist and cultural wealth for sustainable development, according to the initiators.

Haitian originality at the heart of the Olympic Games thanks to Stella Jean and Philippe Dodard

The Olympic Games are in full swing, and this year, Haïti is making a remarkable entrance. For Haitian athletes, these games are not only an opportunity to demonstrate their sporting talent, but also to fly the flag for their culture and history. And this, thanks to an exceptional collaboration between Stella Jean and Philippe Dodard.