7 Reasons Haïti is Proud

November 18 in Haiti: Commemoration of the Battle of Vertières

Every year, on November 18, Haïti celebrates one of the most significant events in its history: the Battle of Vertières. This date, a symbol of courage and determination, recalls the decisive victory of Haitian troops over French colonial forces in 1803, thus paving the way for the independence of Haiti, proclaimed on January 1, 1804.

Haïti and the price of independence

Haïti is known for its significant history and its crucial role in the fight against slavery and for independence. The country gained independence from France on January 1, 1804, becoming the world’s first independent black republic and the first country in the Americas to abolish slavery. However, this independence came at an enormous cost, the effects of which are still felt today.

Meet Edison Juste: An Outstanding Singer

Beyond the chaos, in the heart of the desolation, there are voices that resonate. They shatter the silence, depicting the macabre reality of everyday life in a thousand shards, thus defying evil to give meaning to life and make each day a place where hope flows like a stream of honey. Edison Juste’s voice is one of them: it sings of hope, of love, while praising God. It was in Carrefour, 27 years ago, that the young singer’s sun rose within a family of four children. Edison Juste is the youngest. Between the diplomat, the lawyer, and the entrepreneur that he is, singing remains his greatest passion for this young married man. Like many Haitian singers, Edison Juste took his first steps at a very early age in a choir—Yahvé Shama—alongside children his own age. He would later become the lead singer. This was in 2010. Asked about his first real encounter with music, he replied: q~It was in 2013 that I really started singing. It was during a competition organized by Styl Doz at the Évangélique de la Grâce church,~q, says the active member of the group YES (Yon Enstriman Sen), who also expresses his gratitude to singer Joseph Rhousteau, who inspired and coached him for several years. Edison Juste stands out not only for his style, but also for his versatility. His ability to make the notes vibrate with a moving candor seems limitless. Yet, he has his preferences: q~There isn’t a single style that characterizes me. I see myself as a liquid: I take the shape of the container. Even if I remain haunted by Worship, Compass, and Jazz, he confides. Today, the Carrefour native boasts a rich and varied musical repertoire. From 2010 to 2025, he has grown both in maturity and in renown: five competition wins, his first song recorded in 2018, joining the band YES, his participation in the second album, Se pou m beni, a collaboration with Amos César in a musical, and his contribution to the album Anprent by maestro Berwin Sydney. For him, this journey is already a great source of inspiration. Edison Juste never does without the presence of God, whether in the creative process or during his stage performances: "What influences and motivates me the most is always the presence of Elohim, and the audience’s desire to savor and appreciate my work," he says.

Vertières, Fort Mazi: Beyond historical truth;

If you look up the word vertière in a French dictionary, you will not find it for fear that the world does not know this place represents the Achilles heels of the most powerful European army. What’s more, this one had just successfully won the eastern campaign. French historians of the time erased this geographical location from the radar of history because they did not want to tell the story as it is in the sense of explaining the first great humiliation of the expeditionary army French by bands of slaves who were totally ignorant in the art of waging war, much less in the handling of weapons. However, these illiterate wars routed the Napoleonic army, the most powerful at that time, using the means at hand. This expeditionary army, after having brought Europe to its knees, would experience its first rout by slaves in this geographical location, located in the Northern department of Haiti. Funny story, this city is not on the list of French words even though given its historical importance, it should be at the heart of universal history, far from putting an end to the invincibility of the undefeated army army. So as not to offend the white masters, no political leader has ever asked why vertière does not appear in any French dictionary? However, they celebrate this battle with great fanfare every November 18. What historic hypocrisy among our leaders! After Vertière many other historical places are strangled by historians in order to hide the extremes of atrocities of the French colonists on the slaves. It is in this context of historical strangulation that “Fort Mazi” is not mentioned in school history textbooks. This is located in Petit-Goave, 2nd municipal section, Arnoux locality. We came across this mega fort, during a mobile clinic entirely financed by the Ernest Junior foundation, a charitable foundation which works in the social sector, particularly in the field of art and music. According to residents , the oldest in this locality, this fort was built on at least 20 squares of earth by the settlers. It was a huge military complex divided into compartments, outposts, turtle rooms, rooms for treating colonists, a large Catholic church, and a cemetery. However, we never talk about this fort so much so that it is ignored by history teachers in the town of Petit-Goave. Certainly, the desired disappearance of this fort under the radar of history buries the atrocities, the barbarities, the most inhumane punishments of the colonists on the slaves. Looking closely at reality, everything seems true that it is the largest fort ever built during the period of colonization. Moreover, it probably seems the most fortified in relation to its importance. Remember that Vertière only exists in Haitian school history textbooks while Fort Mazi does not appear, much less in French dictionaries or history books. This explains why this fort was a secret place in which the settlers practiced crimes and atrocities that went beyond human understanding. Is it not a clear desire of historians to hide what this immense fort built on at least 20 tiles of earth really was? Discover the history of Haiti: A fascinating story to explore! : https://haitiwonderland.com/haiti/histoire/decouvrez-l-histoire-d-haiti--un-recit-fascinant-a-explorer/81

Okap Dynamique Film: The New Generation Redefining Haitian Cinema

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Petit-Goave, Haiti: Decryption of the 3rd rara weekend!

It is more and more obvious that in Petit-Goave the media space is absorbed by the rivalry between Ratyèfè, triple champions and lambi gran lambi dlo, a former champion. The past weekend was once again irrefutable proof of the media tension over these two rival bands. With a carnival-like appearance, the fan club of the first dressed in a white shirt, short orange-yellow skirt, purple tie, black boot; the other dressed in a traditional hat, yellow jersey, red pants, red or yellow tennis shoes. This marriage of colors with the taste of carnival is the expression of cultural diversity as La Fontaine said in his book tales and short stories "diversity is my motto." This formula can adapt well to the rara. If it is true in Léogane this marriage of color has existed for ages. It is no less true that this was the case in Petit-Goave because we had to wait for the strong return of Ratyèfè in 2018 to see the rara fan clubs dress differently each new weekend. Last Saturday more than one expected a new face to face between Lambi gran dlo and Ratyèfè because the latter weighed anchor in the direction of the 2nd plain and the latter, in the direction of the city center. Less than in any other circumstance, this duel at the top was obvious. If for some comments it was a favorable opportunity for Lambi to take his revenge on his rival compared to the previous weekend because he had done the profile although he had the advantage because he was two against one. (Lambi,chenn tamarin vs Ratyèfè). This enormous advantage did not work in their favor because the hours that had passed worked against them, as proof they had gone to sleep while ratyèfè remained to play for at least 30 more rounds. Surprisingly but not surprisingly during the meeting long awaited by less than one, at the Acul not far from the Saint Jean-Baptiste church, lambi had decided not to play anymore. However, according to the customs and costumes of the rara when there are two bands, the one who stops playing first, shows weakness and surrender. Consequently, the other who is opposite out of decency and good morals has no other choice to do the same. It follows that for the umpteenth time the great power formation (lambi grand dlo) was unable to take revenge on its rival. For many cultural journalists who were present to witness this event did not have their tongue in their pocket to give their impression of Ratyèfè’s monster performance. This is the case for Brignol, a cultural commentary which wondered if Ratyèfè had the devil in his body so that the most incredulous were in their feeling of joy. On Sunday evening this monster of animation once again made its mark in the art of its know-how. This is what explains the almost unanimity among the cultural journalists of Petit-Goâve in granting first place to this band for its performance and its musical discipline. So, for this weekend according to the circle of cultural journalists of Petit-Goave and with the approval of many other cultural comments. We have the following classification: 1st Ratyèfè 2nd Grap Kenèp 3rd Orgueil de la jeunesse