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Jacmel: the Haitian city whose history is linked to the liberation of Latin America

Jacmel is a city located on the southern coast of Haiti, specifically in the southeastern department. To this day, the city is known for its well-preserved colonial architecture and rich historical heritage, as well as its carnival, one of the most famous in the Caribbean. Jacmel is one of the oldest cities in Haiti. Its origins, according to some historians, trace back to the time of the Taíno people, the island’s first inhabitants, who lived here long before the arrival of Christopher Columbus and his settlers in 1492. Long before it became Jacmel, this city in southeastern Haïti was called Yakimel. The renaming of Jacmel was carried out by the French during their colonization of the western part of the island of Hispaniola. Over the years, Jacmel has transformed into a city where living well blends with the beauty of the sea, in the hearts of its visitors. Nature is fully embraced here, and the sea remains a source of joy throughout the day. Jacmel offers all of this, in addition to its glorious past, which anchors it as a major location in Haiti’s grand history. With its unique charm, Jacmel is among the Haitian cities that can leave a lasting impression. In the 1950s and 60s, until the early 1980s, Jacmel was one of the most popular tourist destinations in the Caribbean due to its reputation as a city with unmatched natural beauty and grace. During this time, the Jacmel coastline warmly welcomed cruise ships filled with tourists from all corners of the world. It was also during this period that Jacmel was one of the most commercially active cities in Haiti, among the country’s most economically flourishing, thanks to the significant influx of tourists.

Haiti: A look back at the First Rara Weekend in Petit-Goave

Haitian culture is a true treasure, woven from the creativity of its artists, its rich heritage and the diversity of its cultural expressions. Among these cultural gems, the rara stands as a true national emblem, uniting Haitians through its captivating rhythms and centuries-old traditions. During the first Rara weekend, this very essence of Haitian culture shone brightly, revealing palpable social cohesion. Despite the absence of law enforcement, tranquility reigned in Petit-Goâve, testifying to the ability of citizens to come together in peace and conviviality. However, media attention was mainly focused on the first plain, leaving a certain imbalance in the coverage of the festivities. Ratyèfè, three-time reigning champion, once again captivated minds with his talent and artistic mastery, offering an unparalleled spectacle. But his rival, Lambi gran dlo, was not to be outdone, displaying a determination to compete for first place. The event was also marked by unfortunate incidents, reminding us that despite the beauty of tradition, tensions can arise. Clashes between fans of different groups tarnished the festive atmosphere, highlighting the need for careful management of celebrations to avoid such excesses. At the heart of this musical competition, where each group aspires to recognition and victory, a complex picture of rivalries and alliances emerges. Chenn tamarin, although appearing asleep in the first moments, shows signs of waking up, ready to shake up the established order. On Sunday evening, Lambi gran dlo honored the memory of one of its loyal supporters, while Grap Kenèp was the scene of violence between fans, recalling the fragility of social cohesion when passion runs wild. In this whirlwind of emotion and competition, it is crucial to keep in mind that it is the journalist who must look to the events, and not the other way around. This is how we draw up the first ranking for this first weekend: 1. Ratyèfè 2. Lambi grand dlo 3. Chenn tamarind Beyond the results, it is the preservation of unity and mutual respect that must remain at the heart of these celebrations, making the rara not only a musical festival, but above all a symbol of the wealth and resilience of the people Haitian.

Haïti / Ganthier: I Let You In, an Ode to Modern Relationships by Igens VIL

The Meaning of the Essence of Love The commune of President Boniface Alexandre and Martial CELESTIN produces a talented artist. Yes, Ganthier stands out as one of its best representatives on the international scene. "I Let You In" is a title that lays bare the complexity of heterogeneous relationships around the world. This opus, both provocative and touching, awakens the mind, body and soul. I am deeply moved by the way in which the artist Igens VIL, a true emblematic figure of Ganthier, evokes intense emotions and provokes reflection on the issues of contemporary romantic relationships. Each verse of this composition, co-written with Dayvin Kaponda, contains profound messages about tolerance towards others, our aspirations and ambitions, the true foundations of authentic love. It is the very essence of life. Despite the tumults of daily life and the inevitable misunderstandings in human relationships, he reminds us that “in my life, there is always a me; I have tried everything. Even if it means taking a step back, I am ready to do it. And if it means, I will get down on my knees”. The singer, who spent a large part of his adolescence in Galette-Chambon, the first communal section of the commune of Ganthier, is now active in the French music industry. He eloquently and skillfully addresses the complex triangle of sentimental relationships: sacrifice, tolerance and communication. This remarkable work deserves to be heard everywhere; it inspires faith, reflection and action. Gensbe, known as Igens VIL, deserves awards for this song. Guitarist, singer, composer and academic in France, he embodies a rare mix of talents for a young Haitian engaged in these demanding fields that require time, sacrifice and a lot of energy. Today, Gensbe is at his peak and never gives up. More songs are in the works for you, dear listeners. Subscribe to Gensbe on YouTube and other platforms. He is without a doubt one of the best Haitian artists among the big international names. I’ll let you in.

Constitution of the Republic of Haiti: 1987 Amended in 2011 (Second part)

Crémas: One of Haitians’ Favorite Christmas Drinks

Crémas is one of the most iconic drinks in Haitian culture, especially enjoyed during the Christmas holiday season. This sweet and creamy cocktail has become a staple during family and community celebrations. This article invites you to discover this delicious beverage, its history, its preparation, and the importance it holds for Haitians during Christmas.

Guédés: When Haïti celebrates its ancestors with color and fervor

Every November 1st and 2nd, Haïti comes alive with the colors black and purple to celebrate the Guédés, spirits venerated in the voodoo religion, symbols of a powerful bond between the living and the dead. Fascinating, indomitable and provocative, the Guédés form a true family in the pantheon of Haitian voodoo, where they are respected for their role as spiritual guides of the deceased to the afterlife. Led by iconic figures such as the legendary Baron Samedi and his companion Grann Brigitte, the Guédés embody the paradoxes of life and death. Each Baron has a unique personality: Baron Cimetière, Baron Kriminel, and Baron La Croix are the guardians of the souls that wander on the borders of the world of the dead. Together, they form a powerful and somewhat frightening presence, but one that is deeply rooted in Haitian culture. The Guédés are not like other voodoo spirits; they demonstrate their fearlessness in a spectacular way. Accustomed to death, they are fearless and are provocative: they eat glass, raw peppers, and coat their sensitive parts with rum and pepper. These gestures mark their indifference to danger and remind us that they have already known earthly life. They are thus psychopomps – these beings who lead the souls of the dead – and act as bridges between the world of the living and that of the dead. Some Guédés, like Guédé Nibo, wear black, purple, and white clothing, each with unique characteristics. They are many and varied: Guédé Fouillé, Guédé Loraj, Papa Guédé, and many others. These are the spirits who, each year, remind Haitians of the importance of remembering and honoring the deceased. The cult of the Guédés is not only religious; it is also cultural and historical. According to tradition, their spiritual territory, or “Fètomè” – nicknamed the “Country without Hats” – is a place where the souls of ancestors reside. According to stories, the origins of this cult go back to the Abomey plateau, the ancient capital of the kingdom of Dahomey, in Africa, where death and life coexist in a form of symbiosis. This celebration in Haïti even finds echoes in ancient history. The Romans also honored their dead with the “Fête des Lémuria”, which took place in February, to ward off spirits and restore peace between the world of the living and that of the deceased. For Haitians, honoring the Guédés is about accepting death as a part of life and celebrating the invisible bonds that unite us with those who have left us. It is also a way of resisting, because life, despite its challenges, must be celebrated in all its complexity and depth.