News / Scientific Research / View Recent Posts

Haiti: Carnival and Rara: Crossed Perspectives on Culture and Haitian Identity

In our tradition, carnival represents an essential cultural activity. Indeed, for the holding of it this year, the State had drawn from the public treasury not only a huge sum but also a strong concentration of law enforcement to ensure the protection and security of carnival-goers in the area. metropolitan. Despite numerous criticisms and concerns expressed by certain media on the one hand, then on the other hand by the democratic opposition. While it is true that in Port au Prince these concerns had had a no less valuable consequence on the progress of this festivity. It is no less true that this was the case in other provincial towns, as proof in the southeast department the authorities did not record anything as an element of accident or incident during the progress of the carnival unlike Port au Prince. Certainly, socio/economic problems are increasingly worrying, nevertheless what makes us what we are today, a free and independent people is none other than our exceptionality. This deeply expresses our intrinsic characteristic in relation to people. In fact, historically we are a people who laugh and cry, smile and irritate, dance and hit the system, sing and fight so well that "grenadya alaso sa ki mouri zafè ya yo" is the most emblematic song of the slaves for the conquest of our freedom. We do not intend to claim that those who expressed their disagreement with the carnival are showing a historical deficit. However, we leave in the shadows a fundamental question: why is carnival taken care of by the State while the rara is like an abandoned child? The rara is not only a simple cultural tradition but, above all, it is the heritage of our valiant warriors who bravely fought the French expeditionary army, the most powerful of the time. While, this mass cultural, she is still marginalized by state authorities. It is emphasized that social cohesion is the dead point of carnival. On the other hand, this is the strong point of rara. As proof, the Thursday of the Dead in our Voudouesque tradition which represents the opening ceremony for the rara bands is the blatant testimony of this social cohesion. And, in fact, there were circles of people who took divergent directions to attend the opening ceremony of their rara bands. For this opening ceremony the atmosphere was a taste of carnival in terms of color. On the side of Croix Hilaire, for the title champion Ratyèfè full force band, the color of his club was very diverse, a long dress of apricot yellow, mauve white, then white scarf. In terms of performance, this band had completely proven its champion skills thanks to its arsenal of musicians who were not in their testing phase. To tell the truth, they performed their note with surgical precision as a doctor-surgeon in his surgical procedure. The synchronization between the musicians, the instruments and then the fans form a whole and harmonize perfectly well. This band not only has the magic of words and verbs, it seems that they also have the magic to thrill even the most reluctant fans. Moreover, his performance for this dead Thursday was a challenge for his rivals this weekend to the extent that their performances were less good. On the symbol side of light, Grap Kenèp was the wonder of the Thursday evening of the dead. His club dressed in the appropriate color for this evening, purple scarf, purple jersey, then white “kolan”. In a symbolic way, this marriage of color represents Baron in Haitian Vodou. Without a doubt, it was the most beautiful symbolic representation of the evening. In terms of performance, returning from the cemetery we felt a very strong warmth of jubilation, elation, and playfulness for a completely balanced performance. As far as Chenn Tamarin is concerned, it was already 2 a.m. when our team met him, it was a less good performance than what we were accustomed to. On the symbolic side it leaves something to be desired. His news was that he had his own media. Petit-Goave/Culture and Society

A 100% Lakay Pap Jazz for 2025

On Tuesday, March 11, 2025, the Haïti Jazz Foundation officially announced the launch of the 18th edition of Pap Jazz during a press conference with festival partners, such as the Canadian Embassy, represented by H.E. Mr. André François Giroux, the French Embassy represented by H.E. Mr. Antoine Michon, the Spanish Embassy represented by H.E. Mr. Marco Peñin Toledano, and the Mexican Embassy, represented by Mr. Jesús Cisneros, Chargé d’Affaires ad hoc of Mexico in Haiti. The Bank of the Republic of Haiti, represented by Mr. Rotchild Jean François Junior and Mrs. Stéphanie St Louis from the Direction of Artistic and Literary Creation, Ministry of Culture and Communication, Mr. Joel Widmaier, Artistic Director of the festival, along with the General Director of the Haïti Jazz Foundation, took the time to explain the details of this 18th edition, including the logistical complexities involved in organizing the festival this year due to the country’s precarious security situation. This edition will take place from March 20 to 22, 2025, across four venues: Quartier Latin, the Brazil-Haïti Cultural Center, the French Institute in Haiti, and the Karibe Hotel.

Haïti Wonderland Named Best Creole Website Using the .ht Domain in 2025

Port-au-Prince, June 26, 2025 - During a ceremony held at the El Rancho Hotel, the Haïti Wonderland website haitiwonderland.ht was named the best Creole website using the .ht national domain for 2025. This prestigious award was presented at the national competition "Pi bon sit an kreyòl ki sèvi ak domèn .ht," organized by ISOC Haïti (Internet Society) and the Fondation Rezo pou Devlopman Dirab Ayiti (FRDDH).

Kre-Yole: A Platform that Promotes Local Production and Haitian Culture

Kre-Yole, a Haitian company dedicated to the promotion and sale of local, artisanal and agricultural products. Founded with the aim of highlighting Haiti’s cultural richness and unique talents, Kre-Yole positions itself as a sales channel allowing artisans, agricultural producers and others to share their creations with the world.

7 Heavenly Places in Haïti to Visit Absolutely in 2025

Haiti, often called the "Pearl of the Antilles", is a hidden treasure of the Caribbean, full of breathtaking natural and historical sites. If you are planning a trip in 2025, here are seven heavenly places that are sure to amaze you. Prepare yourself to explore fascinating landscapes, discover a rich heritage and enjoy the warm welcome of the Haitians.

What to eat at lunchtime in Haiti? The essential meals to savor

In Haiti, manje midi (lunchtime) is much more than just lunch. It’s a key moment of the day, a sacred break where we enjoy hearty, tasty, and nutritious dishes. Whether at home, at the office, or in the small, popular restaurants "kantin" or "manje anba dra," lunch is a true feast. Lunchtime in Haïti often consists of several essential elements:

IMANA by DarlinJohancy

In Arabic, the family of words Amin, Iman or imam, imana designate faith, trust, security. This word is also present in the Swahili language (Kenya, Tanzania, East Congo Kinshasa) in the form imani: trust. "The term Imana is not the equivalent of God-Goddess which is a Western vision of divinity. Indeed,: "the term "imana" does not designate above all a personal being that should be honored and implored, but a diffuse fluid that should be captured." In other words, Imana is a neutral vital force that manifests itself in the inner cosmos of each living being." ¹ Imana, by Michel Darlin Johancy is a musical, symphonic and spiritual journey through three geographies: an inner geography of meditation, a cultural identity journey and an artistic musical stroll. These three itineraries unfold in Haitian spaces. This symphonic and spiritual journey takes place in 10 stages or 10 movements.

OKAP Flavors: The Event Not to Be Missed This Summer in Haïti - Cap-Haïtien

Cap-Haïtien is about to vibrate to the rhythm of innovation, creativity, and Haitian gastronomy! The 3rd edition of OKAP Flavors, organized by Sakapfet OKAP, will be held on Saturday, August 17, 2025, at the Foyer d’Initiative et de Créativité (FIC), known as Kay Frè a, rue 18L in Cap-Haïtien. This flagship event highlights local entrepreneurship, the cultural and culinary richness of the Grand Nord region, while creating economic opportunities for the region.

Article 2 of the Haitian Constitution: The National Colors, a Symbol of Identity

Article 2 of the Haitian Constitution of 1987, amended in 2011, establishes that the national colors are blue and red. These two colors are not simply aesthetic choices; they embody the history, culture, and aspirations of the Haitian people. Let’s dive into the deeper meanings and key facts associated with these emblematic colors. q~ARTICLE 2: The national colors are: blue and red.~q