Haïti is making headlines all over the world. And it’s not good news. The exploits of Haitians rarely generate so much interest, but we always tend to point out the excesses, spill ink to stir up thorns in the side, broadcast on loop to relay the chaos that is raging. There is hardly any media to make amends for the resilience of this cornered people. No one to highlight the fierce resistance that serves as fuel for this people hanging in the gorges of death. And what if it was to a certain extent the only way to talk about this country to finally attract attention? It is July 26, 2024. The Olympic Games have just started in France. The 33rd Olympiad of modern times. Without realizing it, according to Forbes Magazine, Haïti ranks among the ten nations with the best costume, proudly pointing to third place. At the same time, miles away from France, on “The Island of Skillfully Orchestrated Chaos,” Haitians do not even realize how much this recognition borders on irony. A paradox whose unpopular evocation is likely to greatly displease. An aerial image shows the city of Paris in all its splendor, illuminated like the gates of paradise, reflecting all the grandeur of France, all the magnificence it has acquired over the centuries, without forgetting the contribution of the blood shed by the horrible machine of colonization. I close my eyes, I go back in time, I see again this boy left to his own devices, lost without even knowing it, doomed to failure without even understanding it. And then there are the others. Boys in the same situation, or worse. Banished from society, they do not know what life has in store for them. They form the elegant class of the marginalized, in their quality of scoundrels, good-for-nothings, and thugs who spoil the splendor of society. This contrast challenges me, and I wonder for a moment if those who live the chaos from the outside grasp the stakes and the reality of the situation. Moreover, it seems to me that even the majority of Haitians living in the territory have no notion of the fundamental and essential aspects of the situation.
Music plays a crucial role in shaping the identity of a nation; in Haiti, it occupies a central place in the lives of almost all Haitians. It is used as one of the most reliable means used by the Haitian people to escape from the many events that constitute the majority of their daily lives. The musical genre that predominates in Haïti is direct compass. Created by the Haitian creative spirit, the compass evolved over the years to reach its current position. Today we can say with certainty that it is a musical genre that transcends generations and borders, becoming a symbol of pride and an inspiring sign for Haitians around the world.
Summer in Haiti, a vibrant and sunny time, is much more than just a season. It is a celebration of life, culture and nature in this Caribbean country. Let me take you on a journey through the different facets of the Haitian summer, where the sun shines brightly, music resonates and nature flourishes.
Haiti, pearl of the Caribbean, is full of natural and cultural treasures that deserve to be explored. Among these treasures, the breathtakingly beautiful beaches occupy pride of place. Here is our selection of the 10 must-see beaches to visit in Haiti, offering unique and memorable seaside experiences.
The Muse Haïti Center, in partnership with the Ministry of National Education and Vocational Training (MENFP), alongside several other national and international institutions, has officially launched the 4th edition of its National Essay Competition. This annual initiative, which aims to encourage young people to engage in critical and civic thinking, focuses this year on a highly topical theme: "The Right to Education in Haiti." Through this edition, the Muse Center aims to encourage engaged thinking among Haitian students, capable of questioning the realities of the national education system. To this end, seven carefully selected essay topics have been unveiled, each addressing an essential or controversial aspect of the right to education in the current Haitian context.
The word crisis carries an infinite number of meanings. No intention of revealing them all this afternoon. However, a few clarifications are necessary. A kid whose parents do not have enough money at Christmas to buy her a Little Black Mermaid doll has a fit and locks herself in her room without touching her meals for the day. A boy whose dog was suddenly poisoned by a neighbor in revenge or shot after contracting rabies, losing a faithful friend overnight, enters into crisis. Finally, a society in the grip of all sorts of mutations and whose leaders are weak, perhaps prolonged in a deep crisis. In the first case, the young girl sulks to attract the attention of her parents in order to feel appreciated by children her age at school or in the neighborhood. Today, thirty minutes of negotiations can be enough to find a lasting solution. In my day, a few well-aimed belt blows would have overcome this whim. But, humanity evolves, they say. In the second case, this boy can find his smile again after a few weeks. He needs a little attention and, probably, another dog. As Stendhal would say, only passion triumphs over passion. In the last case, this society led by inepts is shaken to its deep foundations. Its institutions can disintegrate one by one. The vital forces dissolve in no time. This situation creates a societal tsunami that destroys all life within this community. It is indeed a crisis. The crisis from this point of view constitutes an alarming, desperate situation in the existence of a community where nothing is going well. Chaos reigns supreme. The very essence of life disappears. The individual can take precedence over the community. Everyone tries to solve their problems without worrying about others. The closest neighbor is relegated light years away from you. How can we turn to creation? How can we continue to conceive of otherness? How can the artist absorb this great collective disarray as a source of motivation? These are the questions I must answer. An artist sees and feels what ordinary mortals cannot even imagine in a thousand-year life. He creates to denounce, when his conscience as a human being is revolted. He exalts heroes or the homeland according to his feelings. He sings the beauty of an irresistible, captivating or ugly resplendent woman. He can also use the ambient desolation to give meaning to life. Creating in literature as in the arts in general does not depend on the situation. The act of creation depends on the creator’s disposition. Events paralyze some and galvanize others. Creating is enjoyable. Everyone therefore enjoys according to their own whim. Writing opens the way to change. The writer takes a different look at the world. By embedding himself in reality, he embellishes it, makes it better or hideous depending on the message he intends to share. All things considered, with him, life is never fixed. Writing is putting the world in a jar to travel the universe. The artist broods over his work in all weathers. Oswald Durand was delighted to see Choucoune’s beautiful body from his secret observatory. Musset, on the other hand, was in pain writing his October night. As for Dany Laferrière, in exile, he described the horrors of the Duvalier dictatorship and the carefree attitude of the young girls in his neighborhood in this violent and dangerous world. Ultimately, the writer lives in a society with values that he shares or not. They condition his existence or have no hold on him. In many ways, the surrounding world serves as his laboratory. He carries out his experiments there. He casts a new, worn, disillusioned, melancholic, violent, bitter look at the world depending on his mood. Pitié is the work of an old soul crushed under the weight of an existence that tastes of absinthe. Young Mike Bernard Michel lives by expedients and lies. The hands of life fall on him with indescribable violence. Misfortune embraces him day and night. Should we give up? Musset liked to say: "Man is an apprentice, pain is his master. And no one knows himself until he has suffered." The artist must produce under all skies. Such is his vocation. Incompetents in power, legal or highway bandits, the high cost of living, unemployment, heartaches are all subjects of concern for him. If it is true that a hungry belly has no ears, the fact remains that it keeps the brain awake. What am I saying, it stimulates it to the point of creating timeless works. Mr. Pitié, you have a bright future ahead of you. Work of Jean Rony Charles, the book is available from Éditions Repérage.
Nestled in the heart of the Caribbean Sea, the Republic of Haïti reveals its unique charms, proudly blending its rich historical heritage with breathtaking tropical nature. This majestic island, cradle of the first independent black republic, continues today to embody the resilience and spirit of freedom that shaped its unique destiny.
Nestled in the splendid mountains of the southeastern region of Haiti, the picturesque commune of Cayes-Jacmel emerges as a rare pearl, offering an incomparable tourist and cultural experience. With its lush green landscapes, rich cultural heritage and exciting activities, this destination promises an unforgettable journey for travelers seeking authenticity and natural beauty. As soon as you arrive in Cayes-Jacmel, you will be captivated by the splendor of its landscapes. The plains and hills that dominate the terrain offer a breathtaking spectacle, ideal for picturesque hikes and leisurely walks. The town is also full of crystal clear waterways, perfect for a refreshing break or a relaxing fishing session. Explore the hidden trails and let yourself be enchanted by the thriving biodiversity of the region, where nature reigns supreme. Without forgetting the magnificent beaches of Kabic like "Ti Mouillage", where the fine sand and turquoise waters invite relaxation and water sports. Cayes-Jacmel is steeped in rich history and vibrant culture, reflected in its majestic temples and churches. With more than thirty-two temples of all faiths, including Baptist churches, Churches of God and Catholic churches, the town is a symbol of religious diversity and tolerance. Immerse yourself in the region’s fascinating past by visiting the magistrate’s court and police station, witnesses to its political and legal legacy. Experience the excitement of local life by participating in the lively festivals and cultural events of Cayes-Jacmel. Immerse yourself in the haunting rhythms of Haitian music during community celebrations, and discover traditional crafts at local markets. Don’t miss the town’s annual festival, where dance, gastronomy and the arts combine to create a festive and warm atmosphere. Whether you’re a sports lover, adventure enthusiast, or simply looking for relaxation, Cayes-Jacmel has something to offer every traveler. Play football or basketball on the local pitches, or dance the night away at one of the town’s lively nightclubs. For an authentic experience, join a fishing excursion with the locals, or explore the region’s hidden gems on an exciting jeep tour. With its breathtaking natural beauty, rich cultural heritage and captivating activities, Cayes-Jacmel emerges as an incomparable tourist and cultural destination in Haiti. Whether you are looking for adventure, relaxation or cultural discoveries, this picturesque town promises you an unforgettable experience, imbued with the very essence of Haitian life. Embark on a journey to the heart of the magic of Cayes-Jacmel and let yourself be enchanted by its charm.
In our tradition, carnival represents an essential cultural activity. Indeed, for the holding of it this year, the State had drawn from the public treasury not only a huge sum but also a strong concentration of law enforcement to ensure the protection and security of carnival-goers in the area. metropolitan. Despite numerous criticisms and concerns expressed by certain media on the one hand, then on the other hand by the democratic opposition. While it is true that in Port au Prince these concerns had had a no less valuable consequence on the progress of this festivity. It is no less true that this was the case in other provincial towns, as proof in the southeast department the authorities did not record anything as an element of accident or incident during the progress of the carnival unlike Port au Prince. Certainly, socio/economic problems are increasingly worrying, nevertheless what makes us what we are today, a free and independent people is none other than our exceptionality. This deeply expresses our intrinsic characteristic in relation to people. In fact, historically we are a people who laugh and cry, smile and irritate, dance and hit the system, sing and fight so well that "grenadya alaso sa ki mouri zafè ya yo" is the most emblematic song of the slaves for the conquest of our freedom. We do not intend to claim that those who expressed their disagreement with the carnival are showing a historical deficit. However, we leave in the shadows a fundamental question: why is carnival taken care of by the State while the rara is like an abandoned child? The rara is not only a simple cultural tradition but, above all, it is the heritage of our valiant warriors who bravely fought the French expeditionary army, the most powerful of the time. While, this mass cultural, she is still marginalized by state authorities. It is emphasized that social cohesion is the dead point of carnival. On the other hand, this is the strong point of rara. As proof, the Thursday of the Dead in our Voudouesque tradition which represents the opening ceremony for the rara bands is the blatant testimony of this social cohesion. And, in fact, there were circles of people who took divergent directions to attend the opening ceremony of their rara bands. For this opening ceremony the atmosphere was a taste of carnival in terms of color. On the side of Croix Hilaire, for the title champion Ratyèfè full force band, the color of his club was very diverse, a long dress of apricot yellow, mauve white, then white scarf. In terms of performance, this band had completely proven its champion skills thanks to its arsenal of musicians who were not in their testing phase. To tell the truth, they performed their note with surgical precision as a doctor-surgeon in his surgical procedure. The synchronization between the musicians, the instruments and then the fans form a whole and harmonize perfectly well. This band not only has the magic of words and verbs, it seems that they also have the magic to thrill even the most reluctant fans. Moreover, his performance for this dead Thursday was a challenge for his rivals this weekend to the extent that their performances were less good. On the symbol side of light, Grap Kenèp was the wonder of the Thursday evening of the dead. His club dressed in the appropriate color for this evening, purple scarf, purple jersey, then white “kolan”. In a symbolic way, this marriage of color represents Baron in Haitian Vodou. Without a doubt, it was the most beautiful symbolic representation of the evening. In terms of performance, returning from the cemetery we felt a very strong warmth of jubilation, elation, and playfulness for a completely balanced performance. As far as Chenn Tamarin is concerned, it was already 2 a.m. when our team met him, it was a less good performance than what we were accustomed to. On the symbolic side it leaves something to be desired. His news was that he had his own media. Petit-Goave/Culture and Society
Kwen Pawòl Lib is preparing to start the new year in style. The nineteenth exit, the first of the year, is scheduled for this Thursday, January 9, 2025 at 4:30 p.m. at Caroline Bar, Mon Repos 38, Carrefour. This socio-cultural initiative, which aims to bring together people of all ages, offers a space for dialogue where participants can exchange and reflect on societal, environmental, etc. topics and issues. For this edition, Kwen Pawòl Lib will have the honor of welcoming a distinguished speaker: Gutenberg Destin. A psychologist by training, Gutenberg Destin is one of the instigators of Ribanbèl Timoun, a space dedicated to the well-being and relaxation of children. Sensitized to environmental issues, he is currently pursuing studies in geography at the University Institute of Sciences and leads numerous training courses for national and international institutions, including UNESCO, on risk and disaster management. Alongside Jean Rony Charles, who will moderate this 19th issue, the discussion will focus on the theme: "Natural disasters do not exist...". This meeting promises to be rich and essential, especially in a context where Haïti is among the most vulnerable countries facing environmental challenges. Come in large numbers! Author: Estriplet Millor Restitution of the content creation workshop: Carrefour, behind the scenes.
The Légendaires collective, based in Montreal, announces the celebration and commemoration of the 100th anniversary of the births of Coupé Cloué and Celia Cruz, born on May 16th for Coupé Cloué and October 21st for Celia Cruz. This highly deserved gesture of appreciation for these two major figures of Caribbean music is a demonstration of the bright legacy they left behind after their time on this earth. When referring to their contributions to the musical world and the magnificent symbolism their voices represent for their respective countries, this commemoration is indeed an opportunity to celebrate their identity alongside their music. The main events scheduled for this commemoration will take place on February 28th, May 10th, and October 18th. The event on February 28th at the Maison d’Haïti located at #3245, Émile-Journault Avenue will mark the launch of the celebrations honoring both artists. There will also be a Gala on May 10th in honor of King Coupé and October 18th in honor of the Cuban Queen.
First black nation to free itself from slavery and gain independence from France in 1804 and influenced other liberation movements around the world, inspiring struggles for freedom and equality.
Haïti is blessed with spectacular natural landscapes, including white sand beaches, mountains and rich biodiversity.
Haïti has a rich historical heritage, including sites like the Citadelle Laferrière and the Sans-Souci Palace, listed as UNESCO World Heritage Sites.
Haïti has a rich and diverse culture, influenced by African, European and indigenous elements. Haitian music, dance, art and cuisine are celebrated around the world.
