In Arabic, the family of words Amin, Iman or imam, imana designate faith, trust, security. This word is also present in the Swahili language (Kenya, Tanzania, East Congo Kinshasa) in the form imani: trust.
"The term Imana is not the equivalent of God-Goddess which is a Western vision of divinity. Indeed,: "the term "imana" does not designate above all a personal being that should be honored and implored, but a diffuse fluid that should be captured." In other words, Imana is a neutral vital force that manifests itself in the inner cosmos of each living being." ¹
Imana, by Michel Darlin Johancy is a musical, symphonic and spiritual journey through three geographies: an inner geography of meditation, a cultural identity journey and an artistic musical stroll. These three itineraries unfold in Haitian spaces.
This symphonic and spiritual journey takes place in 10 stages or 10 movements.
The opening of the doors is commanded by the saxophone which plays the role of a common thread. The opening is slow as in some symphonies. This slowness allows us to gently enter an atmosphere of travel and reflection. Musically, the opening is based on the dialogue between the choir, the guitar/piano duo and jerky percussions, katap katap type.
“Si mòn pa bay, lavil ap peri”: if the hill does not produce, the city will perish”. The quest for the mountain is doubled by other quests: the search for effort (monte mòn), the return to the countryside, which must be revalued, and also the search for elevation of the spirit. It is like a pilgrimage. We can also lighten our multiple burdens or problems by depositing them on the other side of the mountain.
The saxophone introduces this sequence. We hear like the noise of a crowd marching and an incantation, a repetition, like a mantra of the name of the divinity Oloroun, from the Afro-Brazilian Yoruba pantheon.
"Creator of the World, you who trace all things, make the rain fall." It is a call for a nourishing and invigorating rain.
"Pase m t ap pase", this refrain, symbol of the journey, is punctuated by the percussions that play in cadence.
This interlude marks a well-paced pause of very diverse percussions, between katap and rabòday.
“Writing so as not to disappear, because the wind carries away the words” (Van pote pawòl ale) says Darlin Johancy. He continues: “Writing what we say and what we produce”. It is a call to protect, safeguard our creative heritage. And then above all, he affirms “mete sèl anba lan nou! Let’s put salt under our tongues! Because salt protects us from the zombification that threatens us”.
First the sound of water in dialogue with the saxophone playing in soft flame, "an alchemical marriage" Darlin Johancy tells us, between water and fire. The choir returns, voices, murmurs, whispers, with, in parallel, a "marriage" katap rabòday. "It is not a coldly programmed composition", Darlin Johancy tells us, all this music and this spiritual journey met inside me. I had to put all this in harmony. It also corresponded to a time when I myself needed harmony. I hope that it will have a calming effect and conducive to meditation in those who listen to Imana. "
https://on.soundcloud.com/vwhiN
Rafael Lucas, Lecturer, teacher-researcher, University of Bordeaux Montaigne
IMANA is produced thanks to the support of the Swiss Cooperation in Haiti. Music credits:
Natzart: Lead and choirs
Ery Guillaume: Saxophone
Herbysson Pierre: Bass
Schneider Saint fort: Drums
Drums: maestro Lélé
DarlinJohancy: Composition, arrangements, production, lyricist.
¹.https://www.kugaruka.org/post/imana-le-culte-de-kiranga-ryangombe-uburundi-urwanda
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Dedikas is an initiative taken by the young Haitian slam poet, Jean Wood Jude, better known as the Silent Poet. It is a cultural event that highlights poetry and music in the heart of Port-au-Prince. The event aims to offer a space for expression to young artists, especially those evolving in the Haitian slam scene. Dedikas has already taken place twice, and a third edition is planned for Saturday, December 22, 2024, at the Soho premises, located at Delmas 41, number 16, from 2:30 p.m. to 7:00 p.m. This new edition follows on from the first two, which took place respectively on October 8 and December 20, 2023.
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Joseph-Auguste Anténor Firmin was born on October 28, 1850 in Cap-Haïtien, in a Haïti recently emancipated from the colonial yoke, he died on September 19, 1911 at the age of 60 in exile. He is undoubtedly one of the most emblematic intellectual figures of his time. His life, marked by an exceptional career in the political, literary and diplomatic fields, illustrates the genius of a Haitian intellectual whose contributions have left an indelible mark on history.
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