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Haiti: Jacmel Vibrates to the Sound of Jazz: A Memorable Performance of the Acoustic Revival at the Alliance FrançaiseHaïti : Jacmel Jazz Festival 2024
Haiti: Jacmel Vibrates to the Sound of Jazz: A Memorable Performance of the Acoustic Revival at the Alliance Française
Haïti : Jacmel Jazz Festival 2024
  • February 20, 2024
  • | 1

Haiti: Jacmel Vibrates to the Sound of Jazz: A Memorable Performance of the Acoustic Revival at the Alliance Française

The night of February 17, 2024 will remain engraved in the memories of music lovers in Jacmel, Haiti, thanks to a breathtaking show which took place at the Alliance Française. This remarkable event, part of the prestigious Jacmel Jazz Festival calendar, offered spectators an exceptional musical experience with its Acoustic Revival program.

Summary

Haïti : Jacmel Jazz Festival 2024Haïti : Jacmel Jazz Festival 2024

The Acoustic Revival, a series of activities organized by the Jacmel Jazz Festival to celebrate the richness of Haitian music, began with Belo’s haunting song, "Istwa Dwòl," followed by the vibrant "Pòs Machan." These joyful and optimistic compositions resonated in the souls of the audience, inviting them to transcend life’s difficulties and embrace joy, whatever the situation.

Lovers of romantic music were not left out. In a context where socio-political tensions can put a strain on romantic relationships, titles such as “Lanmou Bèl” or “Pran Pasyans” have offered refuge to loving hearts, guiding them towards happiness despite hardships. These captivating ballads allowed couples to escape and refocus on their love, strengthening their bonds and their resilience in the face of adversity.

Haïti : Jacmel Jazz Festival 2024Haïti : Jacmel Jazz Festival 2024

Throughout the cheerful melodies of “Azoukenkeng”, “Miya Miyan” and “Ti Pouchon”, the atmosphere of the Alliance Française was imbued with an aura of happiness and positivity. Jazz fans were carried away by these inspiring compositions, creating an unforgettable musical communion.

The evening ended with the masterful interpretation of “Benita”, an emblematic piece of Haitian music. This track embodies the very essence of the country’s musical culture, delivering a message of optimism and gratitude that resonates deeply in the hearts and minds of those who listen to it.

Haïti : Jacmel Jazz Festival 2024Haïti : Jacmel Jazz Festival 2024

In short, the Jacmel Jazz Festival 2024 offered a magical evening at the Alliance Française, where Haitian music, with its captivating mix of rhythms and melodies, was able to touch souls and create lasting memories.

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About the Author
Jarule Laguerre

    laguerrejarule916@gmail.com

    See other articles from Jarule Laguerre
    Stv Bryant

    Merci infiniment pour cette publication
    Cela restera en mémoire de chaqu’un de le groupe
    Revival Acoustic n’oubliera jamais cette soirée du 17 Février à L’alliance Française de jacmel
    Un remerciement spécial au staff de jacmel jazz Festival pour l’opportunité de faire chanter 🎤 les cœurs ce soir la.

    February 21, 2024 - 02:23:20 PM
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    Guédés: When Haïti celebrates its ancestors with color and fervor

    Every November 1st and 2nd, Haïti comes alive with the colors black and purple to celebrate the Guédés, spirits venerated in the voodoo religion, symbols of a powerful bond between the living and the dead. Fascinating, indomitable and provocative, the Guédés form a true family in the pantheon of Haitian voodoo, where they are respected for their role as spiritual guides of the deceased to the afterlife. Led by iconic figures such as the legendary Baron Samedi and his companion Grann Brigitte, the Guédés embody the paradoxes of life and death. Each Baron has a unique personality: Baron Cimetière, Baron Kriminel, and Baron La Croix are the guardians of the souls that wander on the borders of the world of the dead. Together, they form a powerful and somewhat frightening presence, but one that is deeply rooted in Haitian culture. The Guédés are not like other voodoo spirits; they demonstrate their fearlessness in a spectacular way. Accustomed to death, they are fearless and are provocative: they eat glass, raw peppers, and coat their sensitive parts with rum and pepper. These gestures mark their indifference to danger and remind us that they have already known earthly life. They are thus psychopomps – these beings who lead the souls of the dead – and act as bridges between the world of the living and that of the dead. Some Guédés, like Guédé Nibo, wear black, purple, and white clothing, each with unique characteristics. They are many and varied: Guédé Fouillé, Guédé Loraj, Papa Guédé, and many others. These are the spirits who, each year, remind Haitians of the importance of remembering and honoring the deceased. The cult of the Guédés is not only religious; it is also cultural and historical. According to tradition, their spiritual territory, or “Fètomè” – nicknamed the “Country without Hats” – is a place where the souls of ancestors reside. According to stories, the origins of this cult go back to the Abomey plateau, the ancient capital of the kingdom of Dahomey, in Africa, where death and life coexist in a form of symbiosis. This celebration in Haïti even finds echoes in ancient history. The Romans also honored their dead with the “Fête des Lémuria”, which took place in February, to ward off spirits and restore peace between the world of the living and that of the deceased. For Haitians, honoring the Guédés is about accepting death as a part of life and celebrating the invisible bonds that unite us with those who have left us. It is also a way of resisting, because life, despite its challenges, must be celebrated in all its complexity and depth.

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