Haiti: Rutshelle Guillaume triumphs at the summit of “Nuits d’Afrique” with the Francophonie prize

Haiti: Rutshelle Guillaume triumphs at the summit of “Nuits d’Afrique” with the Francophonie prize

Haitian musical sensation Rutshelle Guillaume has been awarded the prestigious Nuits d’Afrique Prize for Francophonie. This distinction was presented to her this Monday, the day after her electrifying performance which closed the festival, attracting hundreds of spectators impatient to see the performance of the one nicknamed the “Queen of Kompa”.

Kre-Yole: A Platform that Promotes Local Production and Haitian Culture

Kre-Yole, a Haitian company dedicated to the promotion and sale of local, artisanal and agricultural products. Founded with the aim of highlighting Haiti’s cultural richness and unique talents, Kre-Yole positions itself as a sales channel allowing artisans, agricultural producers and others to share their creations with the world.

7 Magical Ways to Celebrate Valentine’s Day in Haiti

Valentine’s Day is a special occasion to celebrate love and create unforgettable memories with your significant other. What if this year, you celebrated it under the Caribbean sun, in an idyllic setting, between heavenly beaches, verdant mountains and vibrant culture? Haiti, with its authentic charm and warm hospitality, is a perfect destination for a romantic getaway. Whether you are looking for relaxation, adventure or cultural discoveries, here are five magical ways to celebrate Valentine’s Day in Haiti.

Jean Wood Jude, known as a silent poet, releases his very first collection of Poems.

Born in Port-au-Prince on October 10, 2001, Jean Wood Jude is a young 23-year-old Haitian poet/slammer. His talent and determination in the pursuit of his poetic passion have allowed him to serve the cause of poetry and to be one of the best-known figures in the Haitian poetic world thanks to short videos broadcast on social networks. Apart from his artistic and literary activity, Jean Wood Jean is a student in social communication at the Faculty of Human Sciences (FASCH) within the State University of Haiti. Better known under the nickname Silent Poet, he has more than 200,000 followers on his social networks, and regularly publishes poems in French and Creole. The release of his collection entitled “waltz of a silent heart or Pantalèt Kè m” will only confirm the talent of this young artist.

Petit-Goave, Haiti: Decryption of the 3rd rara weekend!

It is more and more obvious that in Petit-Goave the media space is absorbed by the rivalry between Ratyèfè, triple champions and lambi gran lambi dlo, a former champion. The past weekend was once again irrefutable proof of the media tension over these two rival bands. With a carnival-like appearance, the fan club of the first dressed in a white shirt, short orange-yellow skirt, purple tie, black boot; the other dressed in a traditional hat, yellow jersey, red pants, red or yellow tennis shoes. This marriage of colors with the taste of carnival is the expression of cultural diversity as La Fontaine said in his book tales and short stories "diversity is my motto." This formula can adapt well to the rara. If it is true in Léogane this marriage of color has existed for ages. It is no less true that this was the case in Petit-Goave because we had to wait for the strong return of Ratyèfè in 2018 to see the rara fan clubs dress differently each new weekend. Last Saturday more than one expected a new face to face between Lambi gran dlo and Ratyèfè because the latter weighed anchor in the direction of the 2nd plain and the latter, in the direction of the city center. Less than in any other circumstance, this duel at the top was obvious. If for some comments it was a favorable opportunity for Lambi to take his revenge on his rival compared to the previous weekend because he had done the profile although he had the advantage because he was two against one. (Lambi,chenn tamarin vs Ratyèfè). This enormous advantage did not work in their favor because the hours that had passed worked against them, as proof they had gone to sleep while ratyèfè remained to play for at least 30 more rounds. Surprisingly but not surprisingly during the meeting long awaited by less than one, at the Acul not far from the Saint Jean-Baptiste church, lambi had decided not to play anymore. However, according to the customs and costumes of the rara when there are two bands, the one who stops playing first, shows weakness and surrender. Consequently, the other who is opposite out of decency and good morals has no other choice to do the same. It follows that for the umpteenth time the great power formation (lambi grand dlo) was unable to take revenge on its rival. For many cultural journalists who were present to witness this event did not have their tongue in their pocket to give their impression of Ratyèfè’s monster performance. This is the case for Brignol, a cultural commentary which wondered if Ratyèfè had the devil in his body so that the most incredulous were in their feeling of joy. On Sunday evening this monster of animation once again made its mark in the art of its know-how. This is what explains the almost unanimity among the cultural journalists of Petit-Goâve in granting first place to this band for its performance and its musical discipline. So, for this weekend according to the circle of cultural journalists of Petit-Goave and with the approval of many other cultural comments. We have the following classification: 1st Ratyèfè 2nd Grap Kenèp 3rd Orgueil de la jeunesse

Haïti / Fort Picolet: Historical Guardian of Liberty

Cap-Haïtien, Haiti’s historic jewel, is home to a fascinating architectural relic: Fort Picolet. Built at the end of the 18th century by the French, this imposing bastion majestically dominates the bay of Cap-Haïtien, bearing witness to the tumults of Haitian history and the fierce struggle for independence. The history of Fort Picolet is closely linked to that of Haiti, particularly at the time of the Haitian Revolution. During this tumultuous period, when slaves and freedmen rose up against colonial oppression, the fort was the scene of epic battles and fierce sieges. Sometimes used by French forces, sometimes by Haitian revolutionaries, Fort Picolet was a silent witness to the events that shaped the destiny of the nation. Designed with a strategic vision, the fort embodies the military architecture of its era. Its thick stone walls, strategically positioned cannons and viewpoints overlooking the bay make it an impregnable bastion. Its name, Fort Picolet, pays homage to General Louis Marie, Marquis de Picolet, French governor of Cap-Français at the end of the 18th century. Today, Fort Picolet remains much more than a simple historical monument. It is a living symbol of the resilience and determination of the Haitian people. Visitors who wander through its ruins can feel the imprint of history and contemplate the remains of a tumultuous past. From up there, a panoramic view of the bay of Cap-Haitien is available to them, offering a unique perspective on the strategic importance of this place in the maritime history of Haiti. As a pillar of Haitian tourism, Fort Picolet attracts visitors from around the world. Its historical aura, combined with the natural beauty of its environment, makes it a must-see destination for history and culture lovers. More than just a tourist attraction, Fort Picolet is a poignant testimony to the endless struggle for freedom and the cultural richness of Haiti. Throughout the centuries, Fort Picolet has survived the test of time, reminding everyone that freedom is an inalienable right, hard won and carefully preserved. By exploring its ramparts, contemplating its silent cannons, visitors find themselves immersed in the tormented history of Haiti, a story of courage, resistance and hope. Live an extraordinary experience by virtually visiting the ruins of Fort Picolet: https://haitiwonderland.com/haiti-virtual-reality-ht/monuments-histoire/haiti--fort-picolet--visite-virtuelle/14