The Jacmel Jazz Festival 2024, An Eclectic Celebration of Haitian Music and Culture

Haïti: The Pearl of the Antilles

Located in the Caribbean Sea, Haïti is often nicknamed "The Pearl of the Antilles". This laudatory title not only reflects the beauty of its idyllic beaches, but also the history, culture and natural wealth of this island nation. Throughout the centuries, Haïti has acquired this prestigious reputation for various reasons, which go beyond its picturesque landscapes. b~Natural Beauty:~b Haïti is blessed with an abundance of natural beauty. Its sandy beaches, crystal clear waters, majestic mountains and lush valleys make it a dream destination for travelers from all over the world. Generous nature has endowed Haïti with impressive ecological diversity, which has helped shape its image as the pearl of the Antilles. b~Cultural Wealth:~b Beyond its landscapes, it is the richness of Haïtian culture which contributes to its reputation as a pearl. Haïti has a fascinating history, blending influences from indigenous Taino people, European settlers and African slaves. This cultural fusion gave rise to a unique artistic and musical tradition, embodied in expressions such as voodoo, naive painting and compass music. b~Historical Heritage:~b Haïti has played a central role in the history of the struggle for freedom and equality. In 1804, it became the first independent republic in Latin America and the Caribbean, after a revolution led by freed slaves. This courageous act of independence established Haïti as a symbol of resistance and determination, adding a historic dimension to its status as the pearl of the Antilles. b~Natural Resources~b Haïti is abundant in valuable natural resources, which has contributed to its nickname as the Pearl. Mineral-rich mountains, fertile soils and abundant water reserves have made Haïti a land of opportunity. Haïti, the pearl of the Antilles, is much more than just a tourist destination. It is a country whose natural beauty, cultural richness, historical heritage and natural resources contribute to a unique identity. It remains a jewel in the crown of the Caribbean, reminding the world of the strength and resilience of the Haïtian people.

Diplomatic Fortnight: CEPOD’s plea for effective Haitian diplomacy

On Thursday, October 24, 2024, the Center for Political and Diplomatic Studies, CEPOD, launched its Diplomatic Fortnight via a summit that took place at the Montana Hotel in Pétionville. The event took place under the theme of Haiti’s place in globalization, and in the presence of an audience of distinguished guests. consisting of public authorities such as the current Haitian Prime Minister, Dr. Garry Conille (Honorary President of the summit); his Minister Delegate for Humanitarian Affairs, Mr. Herwil Gaspard; Foreign diplomats, among whom we can cite the Canadian Ambassador, Mr. André François Giroux (Guest of Honor of the summit); Dr. Christian Mouala, Country Director of UNAIDS Haiti, and a group of other public figures (such as sociologist Daniel Supplice), members of the press, such as senior journalist, Rotchild François Junior and students of all kinds.

Haiti: Carnival and Rara: Crossed Perspectives on Culture and Haitian Identity

In our tradition, carnival represents an essential cultural activity. Indeed, for the holding of it this year, the State had drawn from the public treasury not only a huge sum but also a strong concentration of law enforcement to ensure the protection and security of carnival-goers in the area. metropolitan. Despite numerous criticisms and concerns expressed by certain media on the one hand, then on the other hand by the democratic opposition. While it is true that in Port au Prince these concerns had had a no less valuable consequence on the progress of this festivity. It is no less true that this was the case in other provincial towns, as proof in the southeast department the authorities did not record anything as an element of accident or incident during the progress of the carnival unlike Port au Prince. Certainly, socio/economic problems are increasingly worrying, nevertheless what makes us what we are today, a free and independent people is none other than our exceptionality. This deeply expresses our intrinsic characteristic in relation to people. In fact, historically we are a people who laugh and cry, smile and irritate, dance and hit the system, sing and fight so well that "grenadya alaso sa ki mouri zafè ya yo" is the most emblematic song of the slaves for the conquest of our freedom. We do not intend to claim that those who expressed their disagreement with the carnival are showing a historical deficit. However, we leave in the shadows a fundamental question: why is carnival taken care of by the State while the rara is like an abandoned child? The rara is not only a simple cultural tradition but, above all, it is the heritage of our valiant warriors who bravely fought the French expeditionary army, the most powerful of the time. While, this mass cultural, she is still marginalized by state authorities. It is emphasized that social cohesion is the dead point of carnival. On the other hand, this is the strong point of rara. As proof, the Thursday of the Dead in our Voudouesque tradition which represents the opening ceremony for the rara bands is the blatant testimony of this social cohesion. And, in fact, there were circles of people who took divergent directions to attend the opening ceremony of their rara bands. For this opening ceremony the atmosphere was a taste of carnival in terms of color. On the side of Croix Hilaire, for the title champion Ratyèfè full force band, the color of his club was very diverse, a long dress of apricot yellow, mauve white, then white scarf. In terms of performance, this band had completely proven its champion skills thanks to its arsenal of musicians who were not in their testing phase. To tell the truth, they performed their note with surgical precision as a doctor-surgeon in his surgical procedure. The synchronization between the musicians, the instruments and then the fans form a whole and harmonize perfectly well. This band not only has the magic of words and verbs, it seems that they also have the magic to thrill even the most reluctant fans. Moreover, his performance for this dead Thursday was a challenge for his rivals this weekend to the extent that their performances were less good. On the symbol side of light, Grap Kenèp was the wonder of the Thursday evening of the dead. His club dressed in the appropriate color for this evening, purple scarf, purple jersey, then white “kolan”. In a symbolic way, this marriage of color represents Baron in Haitian Vodou. Without a doubt, it was the most beautiful symbolic representation of the evening. In terms of performance, returning from the cemetery we felt a very strong warmth of jubilation, elation, and playfulness for a completely balanced performance. As far as Chenn Tamarin is concerned, it was already 2 a.m. when our team met him, it was a less good performance than what we were accustomed to. On the symbolic side it leaves something to be desired. His news was that he had his own media. Petit-Goave/Culture and Society

The Haïtian Compas: A Musical and Cultural Journey

Music has always been an essential part of Haïtian culture, and among the many genres that have emerged from this Caribbean island, Compas holds a special place. It is a musical style that carries with it the history, cultural diversity and vibrant energy of Haïti. b~Origins and Evolution~b The Compas Haïtien, also known as Kompa, has deep roots in Haïtian and African musical traditions. Its development was influenced by genres such as Dominican merengue, Cuban salsa, jazz and even rock. This fusion of styles has resulted in a distinctive sound that embodies the cultural richness and diversity of Haïti. The Haïtian Compass has evolved over the decades, moving from a more traditional style to more modern and sophisticated forms. Iconic artists such as Nemours Jean-Baptiste and Tabou Combo helped shape the genre and propel it onto the international music scene. b~The Characteristics of the Compass~b Le Compas Haïtien is characterized by its intoxicating rhythm and complex arrangements. Traditional instruments such as guitar, saxophone, drums, and of course, bass, play a crucial role in creating this catchy music. The lyrics, often sung in Haïtian Creole, address varied themes, from love and joy to social and political issues. Dance is an inseparable component of the Haïtian Compass. The irresistible rhythms encourage the dancers to sway to the music. Traditional dance moves, such as "Kompa Direk" and "Kompa Love," reflect the joyful expression and sensuality that characterize this musical genre. b~Global Influence~b Over the years, the Haïtian Compas has transcended the borders of Haïti to conquer the international stages. Haïtian artists helped popularize the genre around the world, bringing with them the warmth and vitality of Haïtian culture. Music festivals dedicated to Compas attract fans from around the world, providing an immersive experience of this catchy music. The Haïtian Compass is much more than a musical genre; it is a standard bearer of Haïtian culture, a mirror reflecting the history, diversity and resilience of the Haïtian people. Discovering the Haïtian Compas means diving into a world of captivating rhythms, passionate dances and captivating stories, while celebrating Haïti’s unique musical heritage. Whether you are a world music lover or simply curious about new experiences, the Compas Haïtien is an invitation to an unforgettable sound journey.

Cruises to resume in Labadie, Haiti: Expected return in October 2024

After several months of suspension, cruises to Labadie, one of Haiti’s most popular tourist destinations, are expected to resume in October 2024. Frantz Duval, a key figure in Haitian journalism, recently shared this encouraging news on the X platform (formerly Twitter). This announcement, confirmed by Le Nouvelliste via a source close to the company managing the Labadie wharf, ends a period of uncertainty marked by months of interruption of tourist activities in this jewel.

The Port-au-Prince Book Fair announces the opening of author registration for its second edition

The Port-au-Prince Book Fair is a literary initiative of the cultural organization Port-au-Prince Book Fair (OCSLP), based on the desire to promote Haitian culture in general, with a particular focus on literature. The organizers of the event have just announced the registration of authors, who will number 20, and those of publishing houses, who will number 5 for the second edition, which will take place on Friday, December 13, 2024, in the premises of the French Institute in Haiti. The registration deadline is Thursday, October 10 of this year. Please note that the first to arrive who have met the required criteria will be eligible to take part in this second edition of the event, according to the organizers’ admission. This rigorous and restricted selection of only 20 authors aims to guarantee an enriching experience for authors and the public, thus promoting authentic exchanges around the works presented. Independent authors and publishing houses interested in registering their authors to participate in this second edition of the fair are invited to submit their application via this link: https://form.jotform.com/louirardjohn8/salon-du-livre-de-port-au-prince. For publishing and distribution houses planning to exhibit on the day of the event, you can register by clicking on this link: https://form.jotform.com/242596699603068. You are requested to contact them at the following address: salondulivre2023@gmail.com in case of difficulties. The Port-au-Prince Book Fair remains faithful to its philosophy, which is to offer a platform to young authors and to promote the richness of Haitian literary production, by supporting new authors who contribute to its growth. This event is a continuation of the first edition, aimed at allowing the emergence of an environment conducive to exchanges, where young authors can meet, share their experiences and engage in dialogue with readers and book professionals. According to the organizers of the event, your participation as a young author will be essential to enrich the fair and offer a diverse experience to visitors. The invitation to join this noble initiative is extended to young authors who have not yet published 5 books. You who are concerned, the ball is now in your court. Do not hesitate to go and make this day, December 13, 2024, an unforgettable day for all book lovers.